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...Romantics. Sony Classical's magnificent GLENN GOULD EDITION, to be completed in 1994, presents Gould's entire recorded oeuvre (much of it previously unreleased). His Haydn is superb; his Mozart and Beethoven range from riveting to risible; his moderns dazzle. Above all, sensibility and omnipotent fingers made him a peerless contrapuntalist, who could with uncanny rhythmic acuity articulate multiple lines and transmute complex musical thought, especially Bach's, into pure and exciting expression...

Author: /time Magazine | Title: Short Takes: Mar. 8, 1993 | 3/8/1993 | See Source »

...magical mirror contains the visage of a beloved and an enchanted white steed roams the halls. The palace in the midst of the dark woods is a creation straight out of the work of Gustave Dore. Christian Berard's sets and makeup, the music of Georges Auric and the peerless cinematography of Alekan make the Beast's domain more real than reality itself. In this realm, anything can happen, even love between a maiden and a horrifically hairy creature...

Author: By Joel Villasenor-ruiz, | Title: Jean Cocteau's Fuzzy Valentine | 2/11/1993 | See Source »

Oscar, as everybody calls him, fits perfectly into the Balmain aesthetic. He is not an innovator -- his few enemies call him a copyist -- but he executes gorgeous costumes with a peerless eye for fabric, detail and nuance. He understands the exotic world of couture from his youthful years working for Balenciaga and Lanvin. His private life has provided him with a window into the life-styles of luxury. His first wife, who died several years ago, was Francoise de Langlade, editor in chief of the French Vogue. He is now married to Annette Reed, a daughter of the late metals...

Author: /time Magazine | Title: Mais Oui, OSCAR! | 2/8/1993 | See Source »

CULTURE: The Passing of Two Peerless Stars...

Author: /time Magazine | Title: Time Magazine Contents Page | 1/18/1993 | See Source »

WHERE DID MSTISLAV ROSTROPOVICH GO wrong? The retiring music director of Washington's National Symphony was one of America's cold war trophies, but his baton work has only rarely matched his peerless way with the cello. Consider a new Italian-issued CD (Intaglio) with Gennady Rozhdestvensky and the London ! Symphony, recorded in Carnegie Hall in 1967. Rostropovich sails through Tchaikovsky's Pezzo Capriccioso and digs into Prokofiev's Concertino, written for the cellist and completed by him after Prokofiev's death in 1953. But the glory of the recording is a magisterial reading of Elgar's Cello Concerto; Rostropovich...

Author: /time Magazine | Title: Short Takes: Dec. 28, 1992 | 12/28/1992 | See Source »

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