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...performances of the evening the playing of Peg Entwistle as Ellie Duan was the most interesting. When the play opened upon its strange first scene, the room like a ship's cabin in Heartbreak House, Ellie Dunn was a living character. Before the play was half over she had turned from a young and attractive girl with her own personality to a type hard and cold and self-seeking. And when the play ended she was again become a living personality. It was this transition which Illustrated most exactly the difference between Shaw's characters and his types...

Author: NO WRITER ATTRIBUTED | Title: CRIMSON PLAYGOER | 3/11/1926 | See Source »

Head First. Oliver Morosco, who long ago gave the world the unforgettable Peg 'o My Heart, has produced only spasmodically and with ill success of recent years. His present contribution is gruesomely numbered with the growing list of entertainments at which first night audiences have this season tittered. It tells of a business woman who grew very rich and remained nevertheless faithful to her inefficient husband...

Author: /time Magazine | Title: The Theatre: New Plays: Jan. 18, 1926 | 1/18/1926 | See Source »

...authors had probably willed it so. We should like to mention Mr. Thorn for his excellent bit as madame's chef, gesticulating, grimacing, and rushing foolishly about the stage in the immemorial way of Frenchmen. He was the perfectly fantastic foreigner, thinking orange blossoms and truffles, operas and endives. Peg Entwhistle deserves commendation also, for although she was forced to act the sweet young thing, she came nearer looking the part than many an elderly ingenue. Considering her youth and her work in "The Wild Duck," we predict for her a bright future...

Author: NO WRITER ATTRIBUTED | Title: MADAME YURKA ENTERS TO APPLAUSE | 12/16/1925 | See Source »

...grind-organ and the hurdy-gurdy suggest the flavor of the times through popular airs. As in "The Adding Machine", the singing of "My country 'tis of thee" marks the culmination of an outburst of intolerance. The phonograph which played a poignant role in "Rain" and in "The Square Peg" and was doubled to two phonographs in Jean Cocteau's fantastic "Les Maries de la Tour Eiffel", is here multiplied into no less than four phonographs all playing different tunes full blast...

Author: NO WRITER ATTRIBUTED | Title: DRAMATIC CLUB PLAY IS NEWEST MOVEMENT IN PSYCHO-ANALYSIS | 5/11/1925 | See Source »

...above mere good looks. In her latter manifestation, she dreams herself back to her girlhood stifled by her mother-living again the romance of the Spanish-American War, learning not to cramp her own daughter's style of loving. Lewis Beach's stage play, The Square Peg, here transferred to the screen, has had some of the acrid tang carefully sponged out of it. But enough remains to vitalize this study of the ironbound mother determined to be good to her family, let the chips fall where they...

Author: /time Magazine | Title: Cinema: The New Pictures Mar. 16, 1925 | 3/16/1925 | See Source »

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