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...then there was this exchange: "Pele?" "Henry Kissinger." Long pause. Come again? Henry Kissinger, the former Secretary of State? "He'd be perfect to write a Pele appreciation," argued assistant managing editor Howard Chua-Eoan, who oversaw this special issue. "He's the biggest soccer fan in the U.S., and helped bring the World Cup here in 1994." A call was placed, and the result is an enthusiastic and knowing appreciation of the great Brazilian superstar, as well as a cogent comparison of soccer and American sports, a realpolitik, so to speak, of two quite different regimes...

Author: /time Magazine | Title: When The Writer Is The Hero | 6/14/1999 | See Source »

Next on Amos' list was "Cruel," from her latest album, which utilized the more subtle qualities of the stage lights and the band with fantastic results. "Caught a Lite Sneeze," one of the less disheveled but still haunting songs from Boys for Pele, was played next, with a charming amount of more energy and less eerieness. Amos then reverted into her good old acoustic charm with "Jackie's Strength," also from choirgirl hotel, and preceded it with a happy little speech about her recent marriage that drew delighted cheers from the adoring audience...

Author: By Sarah A. Rodriguez, CRIMSON STAFF WRITER | Title: Quantity Over Quality | 8/7/1998 | See Source »

...Amos' fourth album, from the choirgirl hotel, may have been greeted with some hesitation by many fans. Under the Pink, her sophomore album, rang with much of the same poignant energy that shot Little Earthquakes into stardom, but carried less fire and more contemplation. Amos' last album, Boys for Pele, took a completely different turn from the path so unabashedly carved out by her two previous release. Fraught with musical experimentation on Amos' new harpsichord and lyrics so bizarre that they must have been in code, "Pele" may have impressed avant-garde musical connoisseurs but left many of her long...

Author: By Sarah A. Rodriguez, CRIMSON STAFF WRITER | Title: Here's A Red Hot Redhead | 7/2/1998 | See Source »

...fortunately, Amos has most definitely returned to the land of the reachable, though she's still not necessarily listed in the phone book. At points, some songs bear a hint of panic hidden in their almost predictable musical passages, almost as if Amos frightened herself with the inaccessibility of "Pele" and is holding back to be accepted by the mainstream music scene again. But for the most part, the album stands up as listenable (think "Tori Amos Lite"), with passages that are doomed to be caught in one's head for hours at a time--which is definitely...

Author: By Sarah A. Rodriguez, CRIMSON STAFF WRITER | Title: Here's A Red Hot Redhead | 7/2/1998 | See Source »

...points though, one might wonder where the emotional supernovas are in from the choirgirl hotel. Boys for Pele had the mesmerizing "Caught a Lite Sneeze;" Under the Pink contained the scandalous "God;" and of course, Little Earthquakes remains a virtual apocalypse of emotion, despite the recent trends of radio stations to overplay "Silent All These Years." Is Tori Amos finally starting to make peace with the demons that drove her to create painfully honest pieces such as Earthquake's "Me and a Gun," which was based on her experience with rape? If she is, are her musical talents strong enough...

Author: By Sarah A. Rodriguez, CRIMSON STAFF WRITER | Title: Here's A Red Hot Redhead | 7/2/1998 | See Source »

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