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Tori Amos' third major release, Boys for Pele, proves that she can resist the temptation to go merely for commercial success by retaining the same formula of Little Earthquakes and Under the Pink. Instead, Boys for Pele charts her efforts at redefining herself following her break up with her manager Eric Rosse after an eight-year relationship. At the same time, she explores on the CD's 18 tracks a variety of new techniques and forms...

Author: By Roland Tan, | Title: Amos Kicks It on Pele | 2/8/1996 | See Source »

...other striking thing about her lyrics in Boys for Pele is perhaps the gay subtext that surfaces in a few of the tracks. In "Blood Roses," for example, she sings, "You think I'm a queer/ I think you're a queer/ I think you're a queer/ Said I think you're a queer." Or in "Hey Jupiter...

Author: By Roland Tan, | Title: Amos Kicks It on Pele | 2/8/1996 | See Source »

...classical training as a child. The harpsichord appears in the first single from the album, "Caught a Lite Sneeze," but is used to even greater effect in tracks like "Blood Roses," "Professional Widow," or "Talula," which apparently will be the next single to be released from Boys for Pele...

Author: By Roland Tan, | Title: Amos Kicks It on Pele | 2/8/1996 | See Source »

...dark and gothic atmosphere pervades Boys for Pele. Surreal, almost disturbing at times, Amos continues in the vein of her previous albums. For example, "Marianne" is about a suicide, while "Little Amsterdam" depicts an interracial romance intertwined with murder...

Author: By Roland Tan, | Title: Amos Kicks It on Pele | 2/8/1996 | See Source »

until you've seen Pele blow...

Author: By Roland Tan, | Title: Amos Kicks It on Pele | 2/8/1996 | See Source »

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