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...case where “sex, lies, and patricide” is really pushing it. 4. “The Father.” See #1. Never forget: One Strindberg play is enough Swedish depression, paranoia, and angst for a generation of Harvard students, and “Pelican?? already ran last semester. 3. “Death of a Salesman.” The story of Willie Loman’s downfall and the death of the American Dream would hit just a little too close to home for all the future i-bankers here...

Author: By Mary A. Brazelton, CRIMSON STAFF WRITER | Title: Five Shows That Should Not be Performed at Harvard | 12/14/2006 | See Source »

Although it runs the full gamut of human trauma—family abuse, violence and deception— “Pelican?? suggests that through revelation of these griefs, even the grimmest of tales can end in hope. One of the darkest shows that the Loeb Experimental Theater has seen this year, “Pelican?? demonstrates the futility of “sleepwalking” through life in denial of abuse. This production of “Pelican?? avoids sleepwalking in any form, and the cast and crew have navigated a difficult play...

Author: By Mary A. Brazelton, CRIMSON STAFF WRITER | Title: Cast of Pelican Soars | 3/19/2006 | See Source »

...When “Pelican?? opened in the Loeb Experimental Theatre last night, it represented a unique amalgamation of less known and less recognized elements of theater: one of the plays that forms the basis of the adaptation, “The Pelican,” had not been performed at Harvard in over 30 years. The other, “The Isle of the Dead,” had never been performed in the United States. The director of “Pelican,” on the other hand, represents an amalgamation of an entirely different...

Author: By Margot E. Edelman, | Title: Spotlight | 3/16/2006 | See Source »

Despite these themes, preparations for the play have been filled with excitement. Many members of the cast even sport matching “Pelican?? team t-shirts as they rehearse...

Author: By Rachel B. Nearnberg, CONTRIBUTING WRITER | Title: On The Radar: Pelican | 3/15/2006 | See Source »

...When “Pelican?? opened in the Loeb Experimental Theatre last night, it represented a unique amalgamation of less known and less recognized elements of theater: one of the plays that forms the basis of the adaptation, “The Pelican,” had not been performed at Harvard in over 30 years. The other, “The Isle of the Dead,” had never been performed in the United States. The director of “Pelican,” on the other hand, represents an amalgamation of an entirely different...

Author: By Margot E. Edelman, CONTRIBUTING WRITER | Title: Spotlight: Rowan W. Dorin '07 | 3/15/2006 | See Source »

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