Word: pelle
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...Eliot House Drama Group yesterday announced Shakespeare's Titus Andronicus as its spring production. The play, which is Shakespeare's earliest tragedy, will be directed by Daniel Seiznick and Roger Graef, and produced by John Elliott and Eugene Pell...
Julie (MGM) is a regular little pell-meller from the opening scene, in which a jealous husband (Louis Jourdan) quarrels with his wife (Doris Day) while she is driving a car, jams his foot on the throttle, and for the next two minutes gives the moviegoer practically all the sensations of being a member of an avalanche. After that, it somehow occurs to Julie that the man she is married to may not be entirely right in the head...
...convey the dramatic moments. The reporter describing New York's death by the black gas, James Stinson, has the reserve of an announcer and the sensitivity to horror of the actor. Colgate Salsbury brings a depth and a strength, mingled with pomposity, to the Secretary of the Interior. Eugene Pell does a praiseworthy, although not convincing job as the Princeton professor who watches the Martians with a philosophical eye from the first flourish to the last wriggle...
...Bassanio, lose their initial remoteness and become recognizable as lovers. Jean Loud, in the part of Nerissa, is charming throughout, gaining stature as the play progresses. As Launcelot Gobbo, a clown, Michael Pollatsek injects some humor into the early scenes by cleverly contrived pomposity and overacting. Ernest Eugene Pell, on the other hand, gives a somewhat too unobtrusive, if competent, performance as Antonio, the Merchant. Yet the only serious defect in the acting of these and the other members of the large cast is their sloppyness in meeting cues. If Smithies subjects them to a little more discipline, they should...
...Haya Hararit. The second tells of Michael Wager, a Jew from New York City (but, refreshingly, not from Brooklyn), who is both wounded and briefly disillusioned in an unsuccessful attack in the Old City of Jerusalem. This episode gives a cleanly realistic picture of street fighting: instead of charging pell-mell at the enemy, the Israelis advance in twos and threes, hugging the walls of houses and making quick dashes for the protection of doorways and abutments...