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...Cesar Pelli lives and practices architecture in New Haven, Conn., for him the perfect distance from Manhattan: close enough to visit for an afternoon, far enough to experience the New Yorkophile's delight each time he plunges into the city. "Coming down Broadway," Pelli recalls of a recent visit, "I suddenly noticed this burst of golden light up ahead." He smiles his sheepish, civilized grin. "It was this building of mine." Pelli, 64, has designed some of the worthiest large buildings of the past few years: the humpback blue glass Pacific Design Center in West Hollywood; Wall Street's vast...

Author: /time Magazine | Title: Design: Big Yet Still Beautiful | 9/24/1990 | See Source »

...grand visionary scheme has been more than two decades in the making, but this year it has come into full flower. Almost 30,000 people work in the World Financial Center, four stunning towers that won new laurels for internationally renowned architect Cesar Pelli and Canada-based developers Olympia & York. In the financial district, where the last broker to leave Wall < Street used to put out the cat each night, more than 6,000 residents have settled into the thicket of 19 new apartment buildings, creating a flourishing neighborhood. Upwards of 40 restaurants and glossy shops have followed. This week...

Author: /time Magazine | Title: Living: Where The Skyline Meets the Shore | 10/23/1989 | See Source »

Some of the 1986 arches allude explicitly to that extravagant era when follies proliferated; some are simply giddy. Their very existence seems fair evidence that a new gilded age is under way. For even though the seven architects (Charles Moore, Cesar Pelli, Stanley Tigerman, Michael Graves, Helmut Jahn and Texans Boone Powell and Eugene Aubry) worked for free, the arches cost $35,000 to $70,000 apiece; the budgets had been $25,000. Fortunately for Galvestonians, the project has deep-pocket private patrons...

Author: /time Magazine | Title: Design: Form Follows Fantasy | 2/17/1986 | See Source »

...Roman arch is the most literally classical of the lot, although its instant statuary (stucco-sprayed mannequins) does madcap violence to any deeper notion of classicism. Graves' handsome copper-roofed arch is better behaved and more civic than the rest; it wants to be a real building. As for Pelli, the neomodernist turns out to be a cryptoprimitivist. His open-faced sandwich of long two-by-fours forms a kind of aboriginal latticework gate and seems Southwestern in the best sense: simple, staunch, serene...

Author: /time Magazine | Title: Design: Form Follows Fantasy | 2/17/1986 | See Source »

...Cesar Pelli: Piper Auditorium, Harvard School of Design...

Author: NO WRITER ATTRIBUTED | Title: October 10-16 | 10/10/1985 | See Source »

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