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Getting serious also means getting down to business and avoiding the abundance of visual bromides that pelt down on most videos like a fine acid rain. There are honorable, even commanding exceptions (see box), but the majority of clips now in circulation are labored ephemera with heavily imitative associations, fully worthy of one executive's dismissive characterization as "this year's satin jackets." Observes Temple: "A lot of videos steal surreal images from places like Zoom magazine and the French Vogue...

Author: /time Magazine | Title: Sing a Song of Seeing | 12/26/1983 | See Source »

Harvard continued to pelt the Eagles' goal, finding halfbacks breaking free from midfield or getting good crosses from the wings...

Author: By L. JOSEPH Garcia, | Title: Booters Down Eagles | 10/6/1983 | See Source »

...like green breasts and buttocks, heaving perceptibly in his preferred light, that of a young spring morning. The plowshare slices into them suggestively. His best landscapes from the '30s, like Spring Turning, 1936, are votives to the original dea mater: man makes his brown tattoos on that vast pelt, but they will pass, and he and his horses are no more than fleas...

Author: /time Magazine | Title: Art: Scooting Back to Anamosa | 6/27/1983 | See Source »

...Vegas. In the background of a wirephoto showing Kim lying still, a striking number of the Caesars Palace spectators are balling their own fists. More than 50 years ago, Writer Irvin S. Cobb described the fight fan: "He is a soft-fleshed, hard-faced person who keeps his own pelt safe from the bruises, but whose eyes glisten and whose hackles lift at the prospect of seeing someone else whipped to a souffle...

Author: /time Magazine | Title: Sport: Boxing Shadows | 11/29/1982 | See Source »

...past 25 years A.P.-After Pollock. His paintings are saturated with the ideas about surface and space that abstract paintings put into currency in America. They have less to do with locating a set of objects in the illusion of a void than with creating a continuous pelt of shapes that fills the surface from edge to edge, top to bottom. With 19th century landscapists like Bierstadt or Corot, one is softly inducted into the illusion. Welliver points out, 'You can really just enter into it and leave. With mine, there is the resistance of the surface...

Author: /time Magazine | Title: Art: Neil Welliver's Cold Light | 10/11/1982 | See Source »

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