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Word: penchant (lookup in dictionary) (lookup stats)
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...understand why he attracts them. In many ways, Frye is the consummate humanist. A vigorous exponent of the autonomy of art, he has brought to its study a quasi-scientific rigor. A devotee of the imagination, he exemplifies the critic as creator, combining a vast erudition with a penchant for clear and orderly exposition...

Author: By Julia M. Klein, | Title: Sniffing Out a Trail | 3/11/1977 | See Source »

...such moments Serban's penchant for formalized action fuses brilliantly with an actress's, and Chekhov...

Author: /time Magazine | Title: Milestones: Magnified Gestures | 2/28/1977 | See Source »

...genes?" she queries in blithe ignorance. It is obvious to anyone with a modicum of reasoning powers that Professor Wilson had nothing of the sort in mind when he wrote his book, but was simply suggesting that biological factors as well as environmental effects influence man's well-known penchant for aggression. Such a suggestion, especially considering the vast weight of evidence that backs it up, does not seem particularly far-fetched, nor does it seem in any degree racist. However, if Professor Wilson's views are indeed as absurd as Ms. Rosenthal seems to think, it would be more...

Author: NO WRITER ATTRIBUTED | Title: An Unjustified Attack | 2/12/1977 | See Source »

Each of the chief characters has a gallant last-ditch tenacity that is the mark of Williams' people. T. Lawrence Shannon (Richard Chamberlain) is a defrocked minister with a penchant for teen-age girls. The hotel proprietor, Maxine Faulk (Sylvia Miles), fancies young Mexican beachboys. The guardians of the spirit as opposed to the flesh are Hannah Jelkes (Dorothy McGuire), a Nantucket spinster, and her ancient 97-year-old poet grandfather Nonno (William Roerick), on whom Hannah's abiding love and care are centered...

Author: /time Magazine | Title: The Theater: God Is - or Is He Not? | 12/27/1976 | See Source »

Drury, an extremely talented senior with a penchant for contemporary music, interpreted the piece with an utterly compelling, almost demonic intensity. His virtuosity and technical facility excelled in explicating every facet of the sonata, from the darting melodic leaps in Hawthorne to the Alcott's hymnal simplicity. Even the liberties he took in tempi and dynamics sounded authentic and convincing. Ives himself said of the Hawthorne, "It is not intended that the metrical relations...be held too literally." Louis Cooper was also excellent in his performance of the flute solo which unexpectedly concludes the final portrait of Thoreau...

Author: By Jay E. Golan, | Title: Familiarity Breeds Respect | 11/24/1976 | See Source »

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