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...School in Knoxville, half the students in Gay Clapp's sixth-grade science class last year were classified as having "special needs." One day last spring, after giving her class a plant diagram to color, Clapp watched as a group of boys got up to hang out at the pencil sharpener, and other students wandered the room for supplies; for a few moments, all order broke down. "It's overwhelming," says Clapp, who has taught for 39 years. "Dealing with this many kids and this many different needs wears you out. And by a long shot, the average student loses...

Author: /time Magazine | Title: Lost In The Middle | 9/14/1998 | See Source »

1850s Prelude What a treat! Small dabs of sugar candy on the end of a slate pencil...

Author: /time Magazine | Title: Notebook: Sep. 14, 1998 | 9/14/1998 | See Source »

Like his artistic ancestor Chardin or his fellow Nabi Edouard Vuillard, Bonnard was an Intimist. He cared nothing for heroic or historical themes. He had no public life, and his diary was filled not with reflections on art, life or politics but with pencil sketches and occasional notes on the weather. Nor did art theory, avidly debated among some of his painter friends, interest him much...

Author: /time Magazine | Title: Art: Bonnard: A Shimmer Of Hints | 8/31/1998 | See Source »

Helen Hunt, garlanded with Oscars and Emmys, plays Viola in Nicholas Hytner's production; but the show's real star is Crowley. He has joined the short list of masters in a fertile era for stage designers. Such wizards of pencil and paint as Tony Walton (Guys and Dolls), Robin Wagner (Crazy for You), John Napier (Cats) and Heidi Ettinger (The Secret Garden) create unique worlds from a playwright's words and a director's hopes. When you leave a show "humming the sets," these are the folks to thank for those sumptuous visual melodies...

Author: /time Magazine | Title: Theater: Humming the Sets | 8/31/1998 | See Source »

...Taylor Dance Company in New York City, knows the importance of timing. The former ballet dancer paid $3,400 in February to take a one-semester course at N.Y.U. in multimedia technique. She needed it to keep up in her field, since computers are slowly replacing graph paper and pencil for dance notation. "I couldn't even imagine five or six years ago taking a course like this," Hoffman says. "But this way I could learn a lot in a short period of time while still keeping...

Author: /time Magazine | Title: Business Report: Brushing Up | 7/20/1998 | See Source »

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