Word: penciled
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Dates: during 1970-1979
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Forty years earlier in his career, Matisse had demonstrated, with his big canvases of dancing figures, that he was a master of energetic motion. There is a clear difference, though, between the degree of energy that a pencil or brush can express and the kind of incisive force that the bite of his scissors gave to Matisse's later image of a figure in ecstatic movement, La Danseuse, 1949. The directness of such a cut-out could not be repeated in paint. No drawn profile could approach the strictness of a cut edge, and the paper...
Four years ago, she was considered "beyond help." Now she is making progress in a regular class. Lisa, 7, a slight hydrocephalic child, practiced her addition near by. When she first came to Trotter last year, she could not even hold a pencil. "If they were stuck in a hole somewhere, there's no way they could ever make it," says Barbara Fagone, who has been teaching handicapped children in her regular class for three years. How do her normal students react? "We found out last year that they're curious for exactly 20 minutes. Then...
Drugs were sought to incapacitate entire buildings full of people, poison food to create "confusion-anxiety-fear," cause headaches and earaches, and produce amnesia in foreign spies after interrogations or CIA agents who were about to retire. To administer the drugs surreptitiously, CIA experimenters developed pencil-like injectors and small spray guns...
...baroque Fortune Gallo Opera House and later a CBS studio, has been transformed into a dancer's Disneyland (membership $125 a year). The vast (5,000 sq. ft.) shuffle area is a stage, with theatrical lighting, scrims and backdrops rising as high as 85 ft. A dozen pencil-thin poles of red and yellow light blink, twirl, rise and fall amid the dancers; revolving silver prisms above the dance floor reflect flashing strobes. In all, there are 450 different special effects, including snowfalls (plastic) and a giant half-moon with glowing nose and spoon (a coke joke). While Studio...
...style is just as difficult as learning to walk," Kirchner wrote. A drawing such as his large Nude on a Bed (1908), one of the highlights of the Bergen collection, shows that the search for style was a conscious endeavor, involving constant formal training. The work, in charcoal over pencil outline, seems a careful and fairly conventional life-study until one looks more closely at the way in which Kirchner is defining form. The legs and feet are oddly arresting, because one can see a purer, simpler from emerging in this portion of the sketch...