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...good reason occurred three years after his debut, when Wright was awarded a Pulitzer Prize; the winning cartoon showed two survivors of a nuclear holocaust in a bomb-pocked landscape and was captioned: "You mean you were blurring?" Since then, Wright has abandoned the pencil-and-charcoal effects favored by Mauldin and Herblock. He has developed his own pen-and-ink style, in which faces and forms are distorted past realistic limits. His decisive lines and elongated figures are reminiscent of the technique of British Caricaturist Ronald Searle. Wright's characters, with their ballooning eyeballs, pinprick pupils and ramshackle...

Author: /time Magazine | Title: The Press: Trying to Be Vicious | 2/11/1974 | See Source »

...Before long Johnny will again be illiterate: it is too dark to read and too cold to hold a pencil in the schoolroom...

Author: /time Magazine | Title: Letters, Feb. 4, 1974 | 2/4/1974 | See Source »

Cohen refused to say how large the refunds would be, commenting that he "would have to work it out with a pencil and paper." A first semester subscription to the daily Times cost $10.78 or about 14 cents per copy for 77 issues. Ten Sunday issues cost...

Author: By Steven Reed, | Title: Out of Town News to Refund Money For Papers Missed Over Christmas | 2/4/1974 | See Source »

...over-use--"ego," "repression"--for want of better ones. This is not good enough for someone whose whole business is the delicate shading of every sense and tone. Such horrors as the scene in The Magic Mountain when Thomas Mann has his heroine ask to borrow the hero's pencil are ample warning that novels ought to be sources for the psychologist and not vice versa. For Nabokov, art is more fundamental than sex. And even Freud, unlike many Freudians, realized, 1) that sex isn't the only form of Sex, and 2) that a cigar is sometimes just...

Author: By Phil Patton, | Title: Jolly Good Views | 1/30/1974 | See Source »

...frustrated gallant with Micawberish business instincts," Jones was raised in Hollywood, where he worked occasionally as a child extra in Mack Sennett comedies. After graduation from art school, he supported himself by drawing pencil portraits for $1 apiece at a friend's bookstore. From this he drifted into animation, more or less moseying up through the ranks of animation's curious technocracy (eel washer, painter, inker, in-betweener), and began directing...

Author: /time Magazine | Title: Show Business: The World Jones Made | 12/17/1973 | See Source »

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