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...city rooms of many American newspapers are cousins in dishevelment: battered typewriters, mounds of gnawed pencils and crumbling gum erasers, a perpetual blizzard of paper. Nor would turn-of-the-century newsmen have any trouble recognizing many contemporary composing rooms with their mastodonic Linotype machines (first used in 1886) that engorge hot metal and spit out lines of type at a lumbering pace. Of all commercial activities, few have seemed more immune to technological progress than the production of daily papers. But the pace of change is now accelerating. In a small but growing number of offices, reporters are writing...

Author: /time Magazine | Title: The Press: News by Computer | 12/17/1973 | See Source »

...glamorous image does bring in a lot of eager recruits, though. Reports Boston Private Detective A. Michael Pascal: "They come in expecting to be issued a trench coat, a badge and a .357 magnum. What we give them is a pencil, a notebook and an assignment...

Author: /time Magazine | Title: Show Business: The View from the Real World | 11/26/1973 | See Source »

...office box. Reid would collect the replies and then identify which friend filled out which questionnaire by the ultraviolet ink he had previously coded them with. He never actually did this, of course, but then again neither did I; I had planned to identify the returned questionnaries with inconspicuous pencil dots. I recently talked to a graduate of Lowell House who said that he planned to use slightly torn or dog-eared corners. If you're reading this with your heart sinking down into your intestines, just remember that you wouldn't really have done it either; there are very...

Author: By Charles Bonnell, | Title: Gay in the Ivy League | 10/30/1973 | See Source »

...written before the intricacy of the collaboration that went on in the studio in its earlier and better years. Finch resurrects from anonymity or near oblivion such artists and animators as Fred Moore, Bill Tytla and the abundantly gifted Albert Hurter, the presiding influence on Pinocchio. Hurter's pencil roughs and details exuded an essence of buckeye surrealism that got into gallery art only decades later-and then through Claes Oldenburg, who had himself worked at Disneyland...

Author: /time Magazine | Title: Time Essay: Disney: Mousebrow to Highbrow | 10/15/1973 | See Source »

...After some figuring with pad and pencil). "About one-eighth...

Author: By Leo FJ. Wilking, | Title: Officials Attend Student Appeal To City Election Commissioners | 9/28/1973 | See Source »

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