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...began with leaving a gold pencil at a gin game," Ben Sack tells it. Sack is a heavy-set, determined man. A light grey business suit complements his wavy, greying hair. Black cameo cufflinks are the only pieces of ostentation he allows himself. His no-nonsense manner at first appears belligerent. The intimacy of his conversation, however, soon betrays his grim seriousness. "When I went back next day to get the pencil," he continues, "a young boy whose father owned a movie chain asked me if I would like to make an investment in a theatre he was building." Sack...

Author: By Gregg J. Kilday, | Title: Has Success Spoiled Ben Sack? | 4/29/1968 | See Source »

...minute gesture or item, such as the pencil reproduced in actual size on this page, can sometimes acquire great value. That is just what happened when a voluntary organization asked G.I.s in Viet Nam what their most-wanted items were. Those needs were modest-such things as a pair of dry socks and some writing material. TIME provided the tiny pencil, which the Christian Reform Laymen's League included in 200,000 packets to Viet Nam. Surprisingly, the minipencil is serving purposes far beyond postcard writing. Its wooden shaft, wrote one Marine, is being used to clean the hard...

Author: /time Magazine | Title: A Letter From The Publisher: Apr. 26, 1968 | 4/26/1968 | See Source »

...techniques for executing the new art forms. It was he who first painted by taking a can of paint with a small hole in it and-swinging it above his canvas. The so-called frottage, producing an image by placing paper over a surface and rubbing it with a pencil and later with paints, was his invention as well. It transferred the three dimensional surface of the object directly onto the two-dimensional surface of the paper...

Author: By Elizabeth P. Nadas, | Title: Max Ernst | 4/20/1968 | See Source »

...strange conglomerations of figures pasted together, and remind us of the association between surealist art and literature, are strangely static and uninteresting as they hang, a quality which unfortunately repeats itself throughout the show. This is partially due to the limited nature of the exhibit--that it is mainly pencil and photoengraving on paper and therefore not so powerful or organically real as much work in oil. Hanging many of the works in richly carved frames drains them further. Most of them are small and yellowing, more deserving of intimate, informal presentation than encasement in the self-conscious, serious trappings...

Author: By Elizabeth P. Nadas, | Title: Max Ernst | 4/20/1968 | See Source »

...epic battle. Hour after hour, while day turned to night and night to day, Clarke and the great fish fought it out at opposite ends of a slender nylon thread no thicker than a pencil mark. Seven times the marlin jumped-great bill-slashing leaps that carried it 10 ft. into the air. A dozen times, while Skipper Young deftly backed and turned the boat, Clarke maneuvered the marlin to within 50 yds. of Sea Wolfe, only to have the fish launch a run that stripped 500 yds. of line off the reel in the space of seconds. The duel...

Author: /time Magazine | Title: Fishing: Light Fantastic | 4/19/1968 | See Source »

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