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...words. Because he begins with plan and ends with chaotic inspiration, De Kooning's first drawing retrospective provides illuminating clues to the natural forms that shape his abstractions, to the explicitness with which he builds ambiguity, to how his art is made. Forty-odd drawings in charcoal, pencil, pastel, sumi-ink and Sapolin include classical studies of the '30s, samplings from the "Boudoir" and "Attic" series, sketches for Pink Angel (the painting that reportedly copped $60,000 last year), and 16 new pencil lyrics on his most recurrent theme, women. Through...

Author: /time Magazine | Title: Art: UPTOWN: Feb. 14, 1964 | 2/14/1964 | See Source »

...pleasant arias and one superb septet, there is very little in the Savage that suggests its composer's grand reputation. The music could have been written any time after 1850, and the libretto could have been improved by almost anyone with 15 minutes and a pencil. "I would look like a fool, I have never been to school" constitutes a rhyme, but it is a rhyme Menotti shares with the composer of a pop song called Stupid Cupid that was big last year...

Author: /time Magazine | Title: Opera: A Banal Savage | 1/31/1964 | See Source »

...modest chunks over a period of several weeks. As no pat theme lends coherence to the fall issue, nothing will be lost in the way of continuity. And, gourmandizing thus bit by bit, you will be able to winnow the tough from the tender, and wield the red pencil of your mind more boldly than the editors have done. After this belated moulting, the fall Advocate will be more fair than fowl...

Author: By Jacos R. Brackman, | Title: The Advocate | 1/24/1964 | See Source »

ROBERT BEAUCHAMP-Green, 15 West 57th. Crimson-stained harpies perform jungle witchery and nature attends the gleeful, macabre rites. The artist is the real sorcerer: his brash and bleeding colors, laid on with the free brushstroke of the German expressionists, are bewitching. Besides the oils, some drawings in pencil and crayon. Through...

Author: /time Magazine | Title: Art In New York: Art: Dec. 6, 1963 | 12/6/1963 | See Source »

...usual, they were dillies, a superbly executed potpourri inspired by Bali's antic muse. There were subtle pencil drawings of nudes, erotic washes produced by the inky wiggling of a live baby octopus, fiery battle scenes with paint laid on thick enough to thrill a pastry chef. Of course, there was also his super-surrealism, typically in GALACIDALACIDEOXYRIB ONUCLEICACID (Homage to Crick and Watson), a title so long that it resorts to a parenthetical remark. In a slick equation of Botticelli and biochemistry, Dali portrays a translucent God lifting the dead Christ into heaven, superimposed on the molecular structure...

Author: /time Magazine | Title: Art: Dilly Dali | 12/6/1963 | See Source »

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