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This scene last week gave clear evidence that the decade-old civil war between pencil and TV newsmen is still being fought. Indeed, new broadsides have erupted from California to New York over a new issue: segregation, or separate-but-equal press conferences...

Author: /time Magazine | Title: The Press: The Pencil v. the Lens | 1/25/1960 | See Source »

This month, hostilities broke out anew around California's Governor Edmund G. Brown, who also holds separate conferences. Forced to sit by while the pencil reporters got first crack, Los Angeles TV newsmen staged another walkout-to "Pat" Brown's speakable anguish. "You people have absolutely no right to do this," he cried. "I am the Governor of the state of California, and I have things to say to the people of California." In Massachusetts, Governor Foster Furcolo once carried segregation so far as to answer the same question four times-first for the pencil newsmen and then...

Author: /time Magazine | Title: The Press: The Pencil v. the Lens | 1/25/1960 | See Source »

Nothing for Background. The pencil newsmen tend to regard their TV colleagues as upstarts who know little more about journalism than how to plug a cable into a socket. The newspapermen resent being forced to feed their best questions to the TV competition, and they feel strongly that the camera's presence spoils the essential informality of press conferences. How can a news source say, "Now, if I may explain for your background," when mikes are open and cameras are grinding...

Author: /time Magazine | Title: The Press: The Pencil v. the Lens | 1/25/1960 | See Source »

...director for Sacramento's KCRA-TV: "News is only news once." Fortnight ago all three major TV networks-NBC, CBS and ABC-announced that their men would no longer appear at separate conferences scheduled for TV by the Governors of New York and California, but they would send pencil reporters to the press conferences and leave the cameras at home...

Author: /time Magazine | Title: The Press: The Pencil v. the Lens | 1/25/1960 | See Source »

...Museum surrounds this outstanding work with many of Picasso's graphics and watercolors. Especially beautiful is the 1918 pencil drawing, Bathers, which displays the sure control of sinuous line that characterized his so-called "Neo-Classical" period. Also of great interest is his View of Horta De Ebro, a small, lyric landscape done in 1900. The more than twenty pieces in this exhibit demonstrate the completeness and general high standards of the Fogg's acquisitions. For a university museum, one could hardly imagine a better record of connoisseurship...

Author: By Ian Strasfogel, | Title: Two University Exhibitions | 1/12/1960 | See Source »

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