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...Know What You Did Last Summer” features work in media ranging from pencil to pastel to paint to faux-fur, and as its name suggests, consists of work created or researched over the summer. Many students rendered their work in preparation for senior theses and say they are grateful that the show required they begin working early...

Author: By Angela M. Salvucci, CRIMSON STAFF WRITER | Title: I Know What You Did Last Summer | 10/24/2002 | See Source »

Curator Wecsler showed some of her own works, the result of a trip funded by the Harvard College Research Program (HCRP) over the summer. Her small and vivid colored-pencil and ink drawings will become part of her senior thesis in East Asian Studies and VES on urbanization in Shanghai and Hong Kong. While their small size limited their ability to represent the vitality of the cityscape, the drawings will be more effective when accompanied by animation and an essay in their final form...

Author: By Angela M. Salvucci, CRIMSON STAFF WRITER | Title: I Know What You Did Last Summer | 10/24/2002 | See Source »

Kussell, now a graduate, showed a single, small portrait whose subdued colors and soft rendering emanated innocence and freshness. David Ording, of the Fogg Museum’s Mongan Center, contributed a checkerboard of pencil thumbnail drawings of everyday objects seemingly inspired by Chardin’s “The Smoker’s Case,” which is depicted in the upper right corner...

Author: By Angela M. Salvucci, CRIMSON STAFF WRITER | Title: I Know What You Did Last Summer | 10/24/2002 | See Source »

...very smart person once pointed out that if you win the rat race, you’re still a rat. Probably a very rich, well-connected rat, which is much more than my current path of sitting with a pencil will bring. But being the python that plucks the guilt strings of the rat is always fun. As is being the python that eats the rat in a surprise, late-life attack...

Author: By Arianne R. Cohen, | Title: Pythons and Rats | 10/21/2002 | See Source »

...Though they serve as a gateway to the U.S. tech economy, some corners of the West Coast ports still operate as if they're stuck in the early 1900s, costing an estimated $1 billion in inefficiencies each year. Many clerks carry clipboards, tracking transactions with grease pencil and paper. When they use computers, they usually insist on re-entering all data themselves, even though it could easily be transmitted electronically from other ports. Modern ports in Rotterdam, Hong Kong and Singapore move three times as many trucks through their terminals every hour as their West Coast counterparts...

Author: /time Magazine | Title: Spoil Ports | 10/5/2002 | See Source »

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