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...responsibility." As minority floor leader in the state legislature from 1981 to 1986, Thompson was known as "Dr. No" because of his relentless partisanship. He reinforces that hard-nosed image today with a sign on his desk that says NO SNIVELING. A 10-ft.-tall "Governor's Veto Pencil" stands in the corner; he has used the line-item veto more than 1,000 times since taking office...

Author: /time Magazine | Title: Toughlove From Dr. No | 8/19/1991 | See Source »

RUSHIN' RUSSIAN. Test your vocabulary by filling in the correct Russian words in each story. For every set of this U.S. pencil-and-paper game sold this spring, the manufacturer will put one ruble into Boris Yeltsin's campaign chest...

Author: /time Magazine | Title: Games People Play | 5/20/1991 | See Source »

...those who think the damage may be permanent is Kathy Kutschka, a director at the Speech and Language Development Center in Buena Park, Calif. Her department works with 45 crack kids, up to kindergarten age. When she observes them having trouble sitting in a chair or picking up a pencil, she despairs for their future. "Of the children we see," says Kutschka, "none will be able to function in a normal life-style without some kind of sheltered living arrangement...

Author: /time Magazine | Title: Crack Kids: Innocent Victims | 5/13/1991 | See Source »

...with 50 drug-exposed kids, ages 3 to 5. Salvin's educators cite % several elements of a successful school program: small classes (eight pupils to one teacher), fixed seat assignments and a rigid routine, and protection from loud noises and other disturbing stimulation. Activities are emphasized over paper-and-pencil exercises. "We'll read a story and bring it to life with hand puppets," explains school psychologist Valerie Wallace. Generous warmth and praise help youngsters achieve an emotional equilibrium. Of all Salvin's drug-exposed children, more than half have been able to transfer to regular school classes, with special...

Author: /time Magazine | Title: Crack Kids: Innocent Victims | 5/13/1991 | See Source »

Ernst's work was continuously open to chance. The arresting drawings of his 1925 Natural History were made by laying sheets of paper on the wooden floor of his hotel room in a French seaside town and going over them with the (paternal?) soft pencil; the resulting images, altered and edited, received the name frottages, or rubbings. The name of the town, by an exquisite coincidence, was Pornic...

Author: /time Magazine | Title: ART: The Rebel Dreams of Oedipus Max | 4/22/1991 | See Source »

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