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Drugs were sought to incapacitate entire buildings full of people, poison food to create "confusion-anxiety-fear," cause headaches and earaches, and produce amnesia in foreign spies after interrogations or CIA agents who were about to retire. To administer the drugs surreptitiously, CIA experimenters developed pencil-like injectors and small spray guns...

Author: /time Magazine | Title: THE CIA: Mind-Bending Disclosures | 8/15/1977 | See Source »

...baroque Fortune Gallo Opera House and later a CBS studio, has been transformed into a dancer's Disneyland (membership $125 a year). The vast (5,000 sq. ft.) shuffle area is a stage, with theatrical lighting, scrims and backdrops rising as high as 85 ft. A dozen pencil-thin poles of red and yellow light blink, twirl, rise and fall amid the dancers; revolving silver prisms above the dance floor reflect flashing strobes. In all, there are 450 different special effects, including snowfalls (plastic) and a giant half-moon with glowing nose and spoon (a coke joke). While Studio...

Author: /time Magazine | Title: Living: Hotpots of the Urban Night | 6/27/1977 | See Source »

...vast numbers of drawings done by Die Brucke (many of which are no longer extant) attest to the desire of these artists to make the pencil a sixth sense, an uncerebrated recording of their response to what they saw. Heckel's Reclining Woman (1913) exemplifies the spontaneous quality sought after; the carpenter's pencil defines the woman's body in uncompromising, strong lines, and shades the form into three-dimensionality with vibrating squiggles that are intended to be read as trails of the artist's pencil...

Author: By Eleni Constantine, | Title: Chronicles of a Crossing | 6/13/1977 | See Source »

...style is just as difficult as learning to walk," Kirchner wrote. A drawing such as his large Nude on a Bed (1908), one of the highlights of the Bergen collection, shows that the search for style was a conscious endeavor, involving constant formal training. The work, in charcoal over pencil outline, seems a careful and fairly conventional life-study until one looks more closely at the way in which Kirchner is defining form. The legs and feet are oddly arresting, because one can see a purer, simpler from emerging in this portion of the sketch...

Author: By Eleni Constantine, | Title: Chronicles of a Crossing | 6/13/1977 | See Source »

...Houghton noticed a pen left lying on a table. Now it is universally known that pens are prohibited in Houghton, to the point of extinction: paranoid librarians would claim that potentially destructive annotations scribbled in a book's margins can be far more damaging in ink, than in pencil...

Author: By John A. Spritz, | Title: Pranks and embarrassments | 5/27/1977 | See Source »

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