Word: pencils
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Dates: during 1950-1959
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...next afternoon, they went to Gene's room. "Gene Robertson," said one of them, "you are wasting a valuable opportunity. When I lectured this morning, every student had his pencil on his paper, writing down valuable information...
...strongest Christian influences in Africa is a 50-year-old Zulu with a pencil-line mustache and horn-rimmed spectacles who has a knack of persuading criminals to turn in their weapons-and often themselves. Wearing a dark business suit, the Rev. Nicholas Bhengu stands on a packing-case platform and says quietly in Zulu: "Ubugekengu abukhokheli lutho [Crime does not pay]."* There is a movement in the crowd, especially among the young toughs in ducktail haircuts, dungarees and safari jackets. "Nike-lani izikhali zenu nani ku Nkulunkulu [Surrender your arms and yourself to God]," he continues, and a pile...
...other things," she assured him, "are so secret they wouldn't even tell us." She gave an audible chuckle. "See that man?" she said, singling out a well-dressed gentleman with pad and pencil. "He's observing the effects of this meal. You know, he measures how many ounces of milk are left over, and things like that...
...Fogg shows 32 pencil drawings by the most delicate and, perhaps, most sensitive of the modern Italian artists, Amedeo Modigliani. This, too, is a fine exhibit, and the Museum is to be especially congratulated for the show's handsome appearance. In one corner, the Fogg devotedly displays the death mask of the artist, wreathed by laurel leaves, and, in another, placed potted ivies. This tasteful presentation complements the subdued, distinctiveness of the works exhibited. It is also a tribute to the knowing connoisseurship of Stefa and Leon Brillouin who have over the years built up this valuable collection...
...greatest gift, predominates. From 1911 to 1915, Modigliani was profoundly influenced by Cubist distortion of the human form, and most of his drawings from this period are unsatisfying. In oil paint, the vigor of his rough and somewhat arbitrary compositions is easily expressed but soft and hard graphite pencil on a thin, flexible paper cannot imbue them with the necessary conviction. The scribbly, hectic quality of a piece like La Francaise indicates the extent to which the Cubist treatment of the human form was alien to Modigliani's romantic, and poetic temperament...