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Thursday, April 28. Boston Philharmonic Orchestra presents “Penderecki, Bridge, Prokovief.” 7:30 p.m. Sanders Theatre. $59, $46, $33, $15; students and seniors $4 off. Tickets available at the Harvard Box Office...

Author: By Emer C. M. vaughn and Kristina M. Moore, CRIMSON STAFF WRITERSS | Title: Happening | 4/22/2005 | See Source »

...have much else in common with Eminem, but Helmuth Rilling, like the raunchy rapper, won a Grammy this year. Rilling, artistic director for the Oregon Bach Festival, got his for conducting the festival orchestra and chorus in a recording of Krzysztof Penderecki's Credo, an original work co-commissioned by the festival. That kind of distinguished performance draws students like Matthew Svoboda to the annual classical-music celebration at the University of Oregon in Eugene. "It's a first-class festival with incredible musicians I'd expect to see only in New York, Paris or Los Angeles," says Svoboda...

Author: /time Magazine | Title: Families: UNIVERSITY OF OREGON/EUGENE: Seasons and Seuss | 5/14/2001 | See Source »

Symphonies Nos. 3 and 4 (Sony). Krzysztof Penderecki may be better known, but Lutoslawski, a composer of uncompromising integrity, was the dean of contemporary Polish composers. He died in February, but his work lives on in these splendid readings by Esa-Pekka Salonen and the Los Angeles Philharmonic. Particularly noteworthy is the Fourth Symphony, Lutoslawski's last and most moving orchestral essay...

Author: /time Magazine | Title: The Best Music of 1994 | 12/26/1994 | See Source »

...Fantasia quartet of 1991. The symphony, so typically "modern" in its harsh sonorities and deliberate absence of melodic appeal, is not much different from what Boulez and others in Western Europe were doing at about the same time; the Choros, meanwhile, is clearly influenced by Gorecki's countryman Krzysztof Penderecki, notably by the Threnody for the Victims of Hiroshima...

Author: /time Magazine | Title: Not Just a One-Tune Man | 9/20/1993 | See Source »

...some Romantic operas are funny (e.g., Wagner's Die Meistersinger), can some post-Romantic operas be called post-funny? That was the question raised last week by the newest work of Poland's Krzysztof Penderecki, 57, a leading European composer who has increasingly been changing the gardes, from avant to rear. UBU REX, which opened the Munich Opera Festival, is based on the 1896 play Ubu roi, by French Absurdist Alfred Jarry, about a loathsome clod (read: typical bourgeois) who murders the King of Poland and, supplanting him, ruins the country. Yet even with the events of the past...

Author: /time Magazine | Title: Opera Post-Funny in Poland | 7/22/1991 | See Source »

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