Word: pendleton
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Dates: during 1980-1989
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...asides has primarily benefited wealthier minority-group members, arguably the ones least in need of Government assistance." The report, which also assailed corruption in the programs, attracted a gale of criticism, was disowned by the White House and was ultimately withdrawn by the commission. But Commission Chairman Clarence Pendleton remains adamant in his conviction that the "set-aside program is one of the biggest pork barrels in history...
...Marine guards swapped secrets for sex in the Soviet Union. Deciding that a two-year statute of limitation prevents it from prosecuting Sergeant John J. Weirick for allegedly allowing Soviet spies into the Leningrad consulate sometime in 1981-82, the Marine Corps released Weirick, 26, from the Camp Pendleton, Calif., brig...
From the moment Metcalf stalks into Pendleton's office, she is obviously a woman of brains and determination. She brushes aside her teacher's advances. ; She is looking not for a more upscale successor to her loutish husband but for a fuller sense of herself. Uncluttered by flirtation, the contrast between the student's will to win and her teacher's self-destructive need to fail emerges sharply, and the play becomes a discerning essay on how much of anyone's fate is self-imposed. Like Emlyn Williams' The Corn Is Green, to which it owes its basic theme, this...
Willy Russell's Rita was a risky choice for Steppenwolf and the two performers, Austin Pendleton and Laurie Metcalf: audiences were likely to have vivid memories of the 1983 film that won Oscar nominations for Michael Caine and Julie Walters as a drunken, shambling university teacher and his bright but unschooled adult-education pupil. But the troupe has put its own stamp on the show, particularly in Metcalf's performance, which persuasively blends resurgent hope and hints of fiercely suppressed desperation. The romance that dominated the film is played down, and the title character emerges as no winsome waif...
...your taste in robots runs toward the apolitical comedy of Artoo Detoo, then Director John Badham's efficient realization of a script by S.S. Wilson and Brent Maddock may strike you as entirely too preachy keen. Ally Sheedy and Steve Guttenberg are the lovers matched by the machine; Austin Pendleton and Fisher Stevens are funny as, respectively, an ambiguous enemy and the malaprop-prone friend of what is finally just a pretty good special effect...