Word: penned
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Dates: during 2000-2009
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Perhaps in a nod to consumer demand—Time reports that 51 million Americans read romance novels—today’s Coop stocks plenty of Pottinger. Except that in print, she is Julia Quinn, a shrewdly chosen pen name meant to place her titles next to the popular Amanda Quick. These days, Quinn titles don’t need help from alphabetization to fly off the shelves. Romancing Mr. Bridgerton, her June 2002 release, was named one of the top ten Favorite Books of the year in an annual poll by Romance Writers of America...
...egalitarian spirit unbroken by success, Panino refuses to take reservations. Instead you’ll meet a well-dressed college graduate in her late twenties, conspicuously thinner than anyone else working there, pen and clipboard in hand. She’ll ask for your name and how many in your party and give you an estimate of the wait that is as attractive as it is wildly wrong...
Throughout his life Leonardo da Vinci was plagued by a sense of failure, incompletion and time wasted. His favorite phrase, unconsciously repeated in whole or in part whenever he scribbled something to see if a newly cut pen was working, was "Tell me, tell me if anything got finished." And indeed very little did. His big projects for sculpture were never completed--the huge clay model for one of them, meant to commemorate his patron Ludovico Sforza, duke of Milan, ended up a shapeless mound, shot to pieces by occupying French archers. His big mural commemorating a Florentine victory...
...drawing: the making of marks but also the making of the instruments with which to make them. In the 15th century one did not walk into a shop and buy a pencil. One had to make the silverpoint or the twig of charcoal. One had to cut the pen and shape its nib from a quill. All of this was wound in with the technique of drawing and helped to determine its intensity. That is one of the reasons why small drawings (and most of Leonardo's drawings were small, in some cases hardly more than thumbnail sketches...
...comic muralist left an inadvertent history of 20th century entertainment. For dozens of dailies and weeklies but mainly for the New York Times, Hirschfeld drew--and drew out the spirit of--virtually every celebrity from high art (Toscanini, Natalia Makarova) and popular art (Roberto Benigni, Natalie Wood). Through his pen, inanity became animate, and caricature met character study. The fun in a Hirschfeld sketch increased after 1945, when his daughter Nina was born. He began concealing her cognomen in and around his portraits of famous men and women--in a Gwyneth Paltrow gown, in a Groucho jacket fold--placing...