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Word: penned (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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These sites—namely the Cellar and the Fogg Museum, where most of the story’s main characters work—are strikingly and realistically represented in Stevens’ pen-and-ink crosshatchings. And the characters who pass through these places do behave dumbly, providing a stark narrative counterpoint to the dramatic black and white imagery...

Author: NO WRITER ATTRIBUTED | Title: ‘Guilty’ Pleasures From Fogg to Cellar | 5/5/2005 | See Source »

Although this aspect can occasionally be inconsistent as well, it is Stevens’ attentive pen-and-ink renderings that carry the work. Accordingly, Stevens often abandons the dialogue-driven narrative for an entire page, favoring a cinematic style of slow, atmospheric visual observation...

Author: NO WRITER ATTRIBUTED | Title: ‘Guilty’ Pleasures From Fogg to Cellar | 5/5/2005 | See Source »

...building neighborhoods in his latest land of make-believe. Explaining that his hotel will be a mellow retreat, without the glitz and campy themes that have made him such a sensation in the past, Wynn breaks into a rendition of Bali Ha'ifrom South Pacific.Then he takes out a pen and starts sketching a picture of his hotel before launching into a touchy-feely description of its varying moods and, leaning forward in his chair, teaching me a little lesson about the importance of loyalty. I am deeply afraid we are going...

Author: /time Magazine | Title: Wynn's Big Bet | 5/2/2005 | See Source »

...appearance was organized to promote Crumb's latest book, "The R. Crumb Handbook" (MQ Productions; 438 pages; $25), a hardcover collection of Crumb's work over the years. Though it sounds redundant- everything touched by Crumb's pen, short of his ink stained sleeves, has been published already - this collection has great appeal to both Crumb neophytes and Crumb obsessives. Unlike other collections it is edited and designed, by Crumb's pal Pete Poplaski, as a kind of illustrated autobiography. Crumb provides commentary on his development as a person and an artist in passages interspersed with copious examples...

Author: /time Magazine | Title: R. Crumb Speaks | 4/29/2005 | See Source »

With the creation of the BMF’s quarterly “REMIX” magazine, Weiler showed how writing can help broadcast individuals’ thoughts beyond their immediate community. The internal publication inspired BMF members to pen Op Eds for The Crimson on a regular basis and motivated Terry to write his biweekly column, “On the Real,” this year...

Author: By Victoria Kim and Ying Wang, CRIMSON STAFF WRITERSS | Title: At Last, a Presence | 4/21/2005 | See Source »

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