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...newspaper comic strip. At mid-century the comics were dominated by action and adventure, vaudeville and melodrama, slapstick and gags. Schulz dared to use his own quirks - a lifelong sense of alienation, insecurity and inferiority - to draw the real feelings of his life and time. He brought a spare pen line, Jack Benny timing and a subtle sense of humor to taboo themes such as faith, intolerance, depression, loneliness, cruelty and despair. His characters were contemplative. They spoke with simplicity and force. They made smart observations about literature, art, classical music, theology, medicine, psychiatry, sports...

Author: /time Magazine | Title: Passages: The Life and Times of Charles Schulz | 12/28/2000 | See Source »

...ever known. Success fell off him. He was unable to take refuge in its rewards. With his first wife and five children, he moved in 1958 to a paradise among the redwoods of Northern California, where he briefly found happiness during a decade in which the work of his pen and the peaks of his professional achievements coincided with the nation's upheavals. But Schulz knew better than anyone that he could never really become a sunny citizen of the Golden State. He found little comfort in fame or prosperity or the California sun. Pain gave him his core...

Author: /time Magazine | Title: Passages: The Life and Times of Charles Schulz | 12/28/2000 | See Source »

...ideas about that most American of concepts, happiness, found their way into Webster's dictionary and "Bartlett's Familiar Quotations." The names and subversive attributes of his characters filtered into the counterculture of the '60s; the Grateful Dead's defiantly grubby organist, Ron McKernan, was nicknamed Pig Pen; another San Francisco rock band that formed in 1966 called itself Sopwith Camel. As American soldiers stenciled Snoopy onto their helmets and the Apollo 10 astronauts christened their command module Charlie Brown and their lunar landing vehicle Snoopy, Schulz left his imprimatur on the Cold War's highest and lowest moments...

Author: /time Magazine | Title: Passages: The Life and Times of Charles Schulz | 12/28/2000 | See Source »

...bore the image and form of the characters in the books - an old idea called "licensing" that "Peanuts" products would turn into a global phenomenon, bringing in $1 billion a year to United Features and making Schulz richer than any popular artist in the world. USING A CROW-QUILL PEN DIPPED in ink, Schulz drew every day through the next three decades. He always worked alone, without a team of assistants. For a self-doubting perfectionist - Schulz referred to himself as a fanatic - the strip cartoon was an ideal form: the cartoonist's relationship to the world is self-limiting...

Author: /time Magazine | Title: Passages: The Life and Times of Charles Schulz | 12/28/2000 | See Source »

This is the way David Boies conducts himself when the battle is at its hottest, when losses are mounting and the enemy is preparing for the kill: he sits upright with his gold-framed reading glasses halfway down his nose, a pen and document in hand, while his paralegal, only a few feet away, performs a circus act involving two cell phones, a briefcase and an importunate reporter. Boies' pen makes sharply slanting scratches on a critical legal brief--just one stone in a brutal, driving hail of critical briefs--that must be filed immediately on behalf of Vice President...

Author: /time Magazine | Title: Get Me Boies! | 12/25/2000 | See Source »

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