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...American poetry, period. There has not been a time since when an N.W.A was as popular as a Public Enemy, or where the storytelling of a Slick Rick could fall alongside the pimp strolls of a Too Short, or Roxanne Shante was just as necessary as a Salt 'N Pepa or Queen Latifah. A lot of us cats who have lived through most or all of the history of hip-hop are the ones who proclaim that period the golden era. Why, because we can. And because we know what we are talking about. It has nothing to do with...

Author: /time Magazine | Title: 'Hip-Hop Is the Most Important Youth Culture on the Planet' | 9/22/2000 | See Source »

...ambiance. The dancers managed to take this all in stride, though, using the aisles and risers with remarkable grace. The music was loud and well suited to the complicated hip-hop and jazz moves that are Mainly Jazz's style. Between the charming chair-dancing routine in Salt and Pepa's "Shoop" and a seductive rendition of Janet Jackson's "Velvet Rope," there came a point in the performance where neither Salt nor Pepa nor Ms. Jackson herself could have better choreographed the dancing to the words, melody and soul of the music...

Author: By Deirdre Mask, CONTRIBUTING WRITER | Title: Vicarious Vibes Steam Pool House | 4/30/1999 | See Source »

...classic, "Remedy," the Crowes established an intensity that lasted well into the second hour of play. "I haven't felt that much energy since a Gwar show back in the 80s," cried a fellow concert-goer. Indeed, the Crowes had a distinctively non-Orpheum crowd shaking like Salt 'n Pepa, moshing like Eddie Vedder and grooving like Beck on a runaway turntable. Even the Jerry Garcia look-alikes were moving. Scary, yes. Surprising, no. The Crowes and their distinctive, hard edge rock and roll strike a beat that is hard to deny...

Author: By Michael C. Large, CONTRIBUTING WRITER | Title: Good Crowe Rock 'n Roll | 2/26/1999 | See Source »

...producers, Salt 'N' Pepa do not yet have the stylistic daring of longtime helpmate Herby "Luvbug" Azor, often settling for a silky but mostly anonymous layering of vocals and synths. Salt, though, crafts a trio of bracing cuts to close the album. "Silly of You," a fairly tired "I-earn-the-dough" ego track, does boast an insinuating opium-den vibe; "The Clock Is Ticking" incorporates electric guitars and vocal distortions more freshly than any R&B since En Vogue's "Free Your Mind"; and "Hold On," the final track, makes the unlikely choice of Brandy's lightweight hit "Baby...

Author: By Nicholas K. Davis, CRIMSON STAFF WRITER | Title: Flavor in Your Ear: Add a Little Spice to Life | 10/24/1997 | See Source »

...romantic partners--is a welcome change from much of today's black music scene, dishearteningly crowded with all-cried-out martyr-masochists and generic balladeers. Brand New scales few new heights for the self-proclaimed Queens of Queens, but the album leaves no doubt that Salt 'N' Pepa are the real spice girls. Everyone else is a wannabe...

Author: By Nicholas K. Davis, CRIMSON STAFF WRITER | Title: Flavor in Your Ear: Add a Little Spice to Life | 10/24/1997 | See Source »

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