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...born for this role) have split up, and his mother (the gloriously sensitive Catherine Keener) is struggling to keep their household together while trying to meet her own needs. (She has a new boyfriend, played by Mark Ruffalo.) Max also has a sister, a teenager named Claire (Pepita Emmerichs), whose desire to move on from childhood - illustrated in swift, vivid brushstrokes - leaves him lonely and bewildered. Not since You Can Count on Me has the potential for heartbreak in sibling love been rendered so eloquently. (See the top 10 children's books...

Author: /time Magazine | Title: Where the Wild Things Are: Sendak with Sensitivity | 10/14/2009 | See Source »

...Velazquez's Rokeby Venus, and the first with pubic hair. She was not, by the way, the Duchess of Alba, with whom--contrary to legend--Goya almost certainly had no sexual affair. She, like her companion piece The Clothed Maja, 1800-05, was most probably a Malagan cutie named Pepita Tudo, the mistress of Prime Minister Manuel Godoy. There are portraits of Alba in the show, though neither, alas, of the great standing figures, white and black, from the Alba collection in Madrid and the Hispanic Society in New York City. We must be content with The Duchess of Alba...

Author: /time Magazine | Title: Art: Goya's Women | 5/27/2002 | See Source »

...full-fledged farce "Fit to be Tried." The set of a detailed French drawing room incorporates the fireplace and closets already in the room. The four actors from the other two plays reappear as the major characters in the comedy of misidentifications, adultery, and murder. As Pepita Passionelle, Wagman expressively plays the emotionally fluctuating role of a neurotic actress. In one scene, she breaks into an uncontrollable hysteria then suddenly reverts to her previous composure. Samuels as Camembert, La Passionelle's husband, portrays the scheming, jealous husband with the proverbial evil, insane glimmer in his eye. Camembert is madly jealous...

Author: By Rebecca J. Joseph, | Title: Savory Theater | 4/14/1982 | See Source »

...Pepita, ostensibly a biography of Victoria's mother, offered a devastating portrait of Vita Sackville-West's own mother, a "pure undiluted peasant," whose tantrums made austere Knole echo like some Andalusian marketplace. Victoria, wrote her daughter, was "a powerful dynamo generating nothing," an imperious, high-strung woman given to firing her servants on a whim and more turbulent than Lady Macbeth. "I think perhaps you do not realise," Victoria complained to Lord Kitchener in the midst of World War I, "that we employ five carpenters and four painters and two blacksmiths and two footmen...

Author: /time Magazine | Title: Books: Victoriana | 10/9/1978 | See Source »

Sarah Miles is clearly starring in a movie all her own that could be called Young, Bad and Dangerous. Arriving in Madrid recently to start filming Pepita Jiménez, she quickly alienated the nation. She announced that not only had she never read this famous and popular Andalusian novel about a beautiful widow who entices a young seminarian to the wrong side of the altar; but, she said, she had no intention of doing so now. Then she banned the Spanish language from the set: a clause in her contract stipulated that everyone connected with her in the movie...

Author: /time Magazine | Title: People, Feb. 10, 1975 | 2/10/1975 | See Source »

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