Word: percussionist
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...other composers whose New Music was performed included the German, Karlheinz Stockhausen, whose recent Zyklus for one percussionist appeared on the first half of the program. Designed to combine "the elements of free and determinate performances," Stock-hausen has given his instrumentalist sixteen pages of music which he may play in any order he chooses. Not having heard the work before, I found it difficult to determine whether the choice of the percussionist, Alain Jacquet, was a felicitous one. Zyklus was followed by Bruno Moderna's Musica su duo dimenzione, a dialogue for flute and stereo tape. The tape inedium...
Quiet Village (Martin Denny Group; Liberty). A smoothly arranged fancy with the theme laid down in beguine tempo by Pianist Denny, and bongo color provided by Hawaiian Percussionist Augie Colon, who is inclined to caterwaul like a turkey buzzard., croak like a frog, or shriek like a cheetah. Blended with Buddhist bells, Burmese cymbals and the West Indian guiro, these noises so far this year have helped sell 60,000 Denny albums, all labeled like bargain-counter perfumes -Exotica, Hypnotique, Afro-Desia...
...conductor raised his baton, the young men moved on an assortment of weapons and started to flail away. The effect was like an explosion in a boiler factory. The occasion: an all-percussion concert at New York's Manhattan School of Music, under the direction of Veteran Percussionist Paul Price...
Conductor Price, 38, a percussionist throughout his career (he now teaches at the Manhattan School of Music), expects performances of the sort he put on last week to become a concert hall commonplace. Most composers, he points out, now write their percussion parts explicitly into the score, something they almost never did before the premiere of Stravinsky's Histoire du Soldat in 1918, and orchestras have beefed up their percussion sections to four or five men. To mount last week's concert, Price had to rent some of his gaudier noisemakers, but one favorite set of instruments...
...Liebermann to be a close follower of Stan Kenton's jazz-style arrangements. The symphonic parts of the work were less exciting, but everybody, from the musicians onstage to the last hipster in the auditorium, had a fine time. Conductor Reiner, who started off his career as a percussionist, was so pleased that he took time off during a rehearsal for an impromptu jam session (see cut). Chicago News Critic Irving Sablosky welcomed the concert as a "meeting place ... for twelve-tone music and its more popular cousin, 'progressive jazz' . . . This wasn...