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...routine for the opera. Most of the piano rehearsals with the soloists took place in his home, instead of at NBC's Manhattan studios. But when everybody got together for the first orchestral rehearsals, the severe old man was obviously enjoying himself. At one point, when a percussionist thumped out four beats instead of three, Toscanini's only comment was a mocking but good-natured "Ciao!" (hello...

Author: /time Magazine | Title: Music: Maestro in New England | 2/1/1954 | See Source »

Last week, swinging homeward through Denver and Chicago, the traveling Bostonians began to think that perhaps the heathen west of the mountains were more eager for salvation than the faithful at home. "They just seem to explode with the music, here in the West," said a percussionist after an overflow concert in Provo. Said a clarinetist, thinking of the many times that Southern and Western audiences had given the Bostonians standing ovations: "Back home, they take us so much more for granted...

Author: /time Magazine | Title: Music: Touring Bostonians | 5/25/1953 | See Source »

When he gets a chance, a percussionist can be the biggest boom in any symphony orchestra, but most of the time he just sits and counts on his fingers while the rest of the musicians play. To show himself off he can do two things: 1) beat the daylights out of his instruments when he comes to a triple fortissimo, and 2) watch for his chance to perform one of the rare works in the repertory in which the percussion is the whole show...

Author: /time Magazine | Title: Music: Unworried Drummer | 11/3/1952 | See Source »

...grales, Density 21.5, lonization, etc. (Rene Le Roy, flute; New York Wind Ensemble, Juilliard Percussion Orchestra, Frederic Waldman conducting; Elaine Music Shop, 2 sides LP). Percussionist Edgard Varèse is a Buck Rogers of music whose drummings, thumpings, clangings and shrillings make the compositions of such modernists as Stravinsky seem old-fashioned arid conventional. Here is a full sampling for the hardy. Recording: good...

Author: /time Magazine | Title: Music: New Records, Nov. 27, 1950 | 11/27/1950 | See Source »

Money was as scarce as music was abundant, and Robert went to work as a percussionist in the Opéra-Comique; he rang the bells for Lakmé. Tympani took him through his Conservatory days, and then he went into the army. During his military career he solemnly rataplanned the drums at Versailles as Woodrow Wilson marched by with Clemenceau...

Author: /time Magazine | Title: Music: Casadesus' Tribute | 6/4/1945 | See Source »

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