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...DIED. MONGO SANTAMARIA, 80, Cuban-born percussionist who fused American jazz, funk and R. and B. with Afro-Cuban sounds in such standards as Afro Blue, made famous by John Coltrane, and a popular 1963 rendition of Herbie Hancock's Watermelon Man; following a stroke; in Miami. A veteran of the Tito Puente Orchestra, Santamaria recorded albums ranging from salsa and contemporary soul to congo-driven percussion and chanting...

Author: /time Magazine | Title: Milestones Feb. 17, 2003 | 2/17/2003 | See Source »

From the turbaned saxophonist Skerik and dreadlocked guitarist eenor, to the headbanging, caveman-muscled percussionist Mike Dillon (who needed no costume to appear right at home amongst the Frogs), outrageous excess is the name of the game. “I’m scared…this could be sodomy by saxophone…,” warned Claypool announcing a solo by Skerik and a sax-playing buddy who appeared for the song before vanishing back into the audience. A percussion solo between the kit and caveman, one of the centerpieces of the set, lasted a good...

Author: By Andrew R. Iliff, CRIMSON STAFF WRITER | Title: Frolicking With the Flying Frogs | 11/21/2002 | See Source »

...remember the fun of entertaining famous guests in the Masters’ Residence. Bossert fondly recalls serving tea to labor leader Cesar Chavez, pointing actor Robert Redford to the bathroom and watching his father (“in a tux and bare feet”) chat with Grateful Dead percussionist Mickey Hart over a bowl of Cajun crawdads. Heimert says that often famous figure skaters stayed in Eliot House during the Evening With Champions benefit show...

Author: By Sarah S. Burg, CRIMSON STAFF WRITER | Title: In the House | 3/14/2002 | See Source »

...hoddu or “African guitar,” as well as acoustic and classical guitar. The result was a rich, layered sound that lacked nothing in punch. The bassist was rock solid, and though the show could have been made more exciting with the addition of a percussionist, the energy throughout was palpable. The centerpiece of the band’s sound was always Maal’s supple, soaring voice that leapt as easily as it trilled on half-tones. African bands are sometimes slightly mystified and frustrated by playing to a seated audience, but given...

Author: By Andrew R. Iliff, CRIMSON STAFF WRITER | Title: Out & About: Acoustic African Magic | 2/8/2002 | See Source »

Frankie V is huge in just about every sense of the word. Physically, personally and emotionally, the trumpet and flugelhorn player exudes an air larger than life. He brought that personality to Ryles Jazz Club in Cambridge on Nov. 3, assembling a six-piece band including percussionist Eguie Castrillo and guitarist Bruce Bartlett, in one of Frankie’s three stops in town this year...

Author: By James Crawford, CRIMSON STAFF WRITER | Title: V Is for Victory | 11/30/2001 | See Source »

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