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Shaw then gave the crowd a few more ulcers, winning a pair of tie-breakers to edge Columbia's Joe Perez, 7-6, 6-3, 7-6. Down 5-4 in the third set and returning serve, Shay hit hot streak and broke Perez's service with a series of brilliant shots. "I've never hit so many good shots in one game in my life," Shaw said after the match. But he still had a few good ones in store, and he pulled them out to snag the tiebreaker...

Author: By Jack Donley, | Title: Racquetmen Stick It to Columbia, 6-3 | 4/23/1977 | See Source »

...does not have to extol a radical party line to appreciate the avowedly political Passion of Antigona Perez. Only those who disfavor heroism and unalloyed democracy could find the play ideologically objectionable. Based on the Greek tragedy Antigone, the story is set in a modern Latin American distatorship where Antigona Perez has defied the State and now waits execution. The rape, tortune and brutality that is a way of life in such repressive regimes is minimal on stage. In fact, the play asks one to raise one's consciousness only so far as to accept that every action...

Author: By Chris Healey and Diane Sherlock, S | Title: STAGE | 3/10/1977 | See Source »

...Passion of Antigona Perez at the Loeb Mainstage is like that New York Times page. Written in 1966, it is set in Molina, a fictional Latin American country not unlike Nicaragua. The events it describes, which we want to believe are fantasy, are occuring. Antigona Perez, conscious of her namesake the Greek Antigone, has buried two brothers in defiance of the laws of the State. The dictator, Creon Molina, who claims to personify the "will of the people," is desperate to have Antigona confess. He realizes that if she does not relent, he is bound to execute...

Author: By Christine Healey, | Title: Latin American Fashion | 3/8/1977 | See Source »

ALTHOUGH ANTIGONA can be identified as all good and completely human, there is no catharsis in The Passion of Antigona Perez. This absence is partially the result of technical flaws. The lines are not memorable; the staging is mishandled. In the prison cell, Creon paces to within a foot of Antigona, who is squatting in defiance. It is unlikely that a man in Creon's position would not have kicked her. Further: the crowd shuffles around forgettably and the yellow journalists fling themselves across stage in a clumsy flock. Their flutter emphasizes the parody but dissipates the tension...

Author: By Christine Healey, | Title: Latin American Fashion | 3/8/1977 | See Source »

...almost cried when the journalists announced Antigona's death. First one reported the local news: "The criminal Antigona Perez...finally kept her date with the law." Then another reported on the international scene: "The famous designer Pierre Cardin has announced he will begin a new line of men's fashions." It would have been useless to cry. I could not have been purged. The ending confronts us too constantly--even on page nine of The New York Times...

Author: By Christine Healey, | Title: Latin American Fashion | 3/8/1977 | See Source »

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