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Word: perfectable (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...review attributes "a near-perfect technical mastery" to Seth Carlin's playing. I, for one, could not judge his fingerwork, because of the overall blur his heavy footwork gave the music. And no clear overall understanding of the piece came through to redeem the technical haze...

Author: NO WRITER ATTRIBUTED | Title: HE'S ALL SHOOK! | 1/18/1968 | See Source »

...other two contestants presented a difficult choice. Seth Carlin is the most virtuosic pianist I have heard at Harvard. His performance of the Rachmaninoff Second Concerto displayed a near-perfect technical mastery of that demanding score. The runs and complicated accompaniment figures came through clearly without covering the melodic line. Carlin also demonstrated rhythmic control and power that put his playing on a professional level...

Author: By Philip N. Moss, | Title: Concerto Contest | 1/15/1968 | See Source »

...seven seconds later, the score was even again as Bob Carr slapped the puck into the Clarkson end. The puck ricocheted off the boards, eluded Miller, and gave Jack Turco a delicious setup at 18:47. Then, with only 18 seconds left in the period, Bobby Bauer's perfect pass allowed Garrity to put Harvard in front...

Author: By Lee H. Simowitz, | Title: Harvard Hockey Team Downs Clarkson, 8-3 | 1/15/1968 | See Source »

...theologian asked me, I'd say 'Yes and no, let's try to define it.' That's what I tried to do. I tried to define the religious dimension of man, which I think can exist with or without God. I think it makes perfect sense to describe this dimension as an experience of a Supreme Being. Whether it's your own being supreme, or an external thing that seems at the moment to be crucially important. I used Tillich's definition of religion as one's ultimate commitment or ultimate concern. On that kind of definition, I would stand...

Author: By William M. Kutik, | Title: The Making of a Draft Resistor | 1/12/1968 | See Source »

Otis Redding's age was deceptive. He was 26 when he was killed but he seemed much older. This is largely because he had perfect taste and a disregard for fashion. For one thing, he never confused expressiveness with frenzy, the way Wilson Pickett often seems to do. Redding was absolutely uncompromised. He never felt obliged to cater to night-club audiences in the way Ray Charles does and Sam Cooke--who died three years to the day before Redding--did (though Cooke was coerced by the orientation of the company he recorded for). Redding was infinitely far from...

Author: By Christopher M. Bello, | Title: The Death of Otis Redding | 1/11/1968 | See Source »

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