Word: perfectible
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Bridget P. Haile ’11 hurries toward the dressing room downstairs, her curled hair bobbing and her long white maiden’s dress bustling underneath her. As she walks, she looks like the perfect anachronism, a remnant of another era—she’s completely unconnected to the old Agassiz Theater around her, existing somewhere in between the character she plays and her role in the real world. That is, until she almost bumps into an admissions employee in the hallway. “That’s the problem with sharing a theater with...
...backstage to do one final rehearsal. The room is a mess. The smell of fresh paint envelops the entire space, and the cluttered banging of stage producers stands in stark contrast to the warm-up trills produced by the cast. After some time, Haile and Nelson begin singing in perfect unison, eventually falling back into individual parts. As their voices begin to encompass the room, producer Megan M. Savage ’10 says, “The show is doing great. These are a hectic few days, but everything is coming together so well...
Since his Subway franchise moved into The Garage over a year ago, Kansagra had been waiting for the perfect opportunity to expand in the food court...
...years of stand-up, so that’s the arena from which a lady-successor will most likely emerge. But as it is, when comedy clubs often adhere to an unspoken “one woman comic a night” rule, the successful comedienne is necessarily a perfect storm: attractive (but not too attractive!) with a masculine (but not too masculine!) sense of humor...
Cudi’s regular set ended with easily his most famous song, “Day ‘n’ Nite,” the perfect example of how his set failed to move beyond his recorded output. For the first half he performed the well-known Crookers Remix of the song, which perfectly reproduced the ample dance beats of the original, and little else. Other than a few shout-outs to his first album, the majority of Cudi’s set consisted of underground songs that he cited from his pre-fame mix-tapes...