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Producer-Director George Cooper Stevens, 48, is a perfectionist who came up an odd way: at 19, he was the youngest cameraman in Hollywood, and his specialty was comedy (including 60 or more Laurel & Hardy and Harry Langdon shorts). Hal Roach made him a director (of shorts) in 1929, and Stevens moved on into feature-length pictures merely by stretching out his two-reelers. His first big hit was Alice Adams (1935)., followed by such topnotchers as Gunga Din, Woman of the Year, The Talk of the Town, A Place in the Sun, Something to Live...

Author: /time Magazine | Title: Cinema: The New Pictures, Apr. 13, 1953 | 4/13/1953 | See Source »

...very perfection long kept him from popularity. Not until he was close to the end of his career did he fire the imagination of the fans, who always like a slugger better than a boxing perfectionist. Beaten once on points by Jake La-Motta (in the second of their six matches), Robinson lost his second bout and his middleweight championship to Britain's Randy Turpin in 1951. Some 60,000 turned up at the Polo Grounds for the rematch, the first really big gate Robinson ever attracted. Battered and bleeding, his timing way off, Robinson made a dramatic tenth...

Author: /time Magazine | Title: Sport: A Perfectionist Retires | 12/29/1952 | See Source »

...tried to cheer him up," she said later. "He was an idealist, and his whole life was devoted to the United Nations. He thought he wasn't doing his job well. He was a perfectionist...

Author: /time Magazine | Title: UNITED NATIONS: Death of an Idealist | 11/24/1952 | See Source »

Still, Munch is a perfectionist. The string session had to play a passage from Roussel's Ballet Suite Le Festin de L'Araignee four times before it attained the precise dynamic contrast Munch wanted. Otherwise, the orchestra got through the rather dull score without mishap...

Author: By Lawrence R. Casler, | Title: Boston Sympony Rehearsals | 10/18/1952 | See Source »

...toothpick, passes from the scene in an ever-widening social circle. The massive, rounded hardwood utensil with which modern hostesses and bartenders spear canapes and Martini olives was never intended to explore dental apertures, although it might serve for a murder weapon in a pinch. Let Mr. Wenner, the perfectionist, find a modern name for this modern thing. But I warn him that "skewerette" is barred...

Author: /time Magazine | Title: Letters, Aug. 4, 1952 | 8/4/1952 | See Source »

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