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Word: perfectly (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Fortunately, comics were spinning off characters long before T.V. and movies, and Supergirl, who actually dates back to the 1950s, must have seemed like the perfect candidate for celluloid incarnation. Reeve, who has elsewhere proven that he can act as easily as bend steel bars, would certainly have demanded a salary several orders of magnitude greater than the cost of a nubile unknown. A second coast-to-coast star search would generate gobs of favorable publicity. And the same people who enjoyed watching Charlie's Angels or Linda Carter bounce around as Wonder Woman are a sure...

Author: By Cyrus M. Sanai, | Title: Call Off the Celluloid | 11/26/1984 | See Source »

THOUGH THE Salkinds may not have realized it at the time, finding Reeve was a luckier break than getting the Newmans. Almost the perfect physical match for a Superman, he could project the boyish charm that made both the ego-busting muscleman and the nebbish newsman palatable and credible. Underneath the red and blue Reeve kept enough of the sly midwestern farm boy to make Superman's schizophrenic life a myth rooted in the American ideals of silent strength and self-effacing mannerisms. None of the Superman films ever fully descended into campy self-parody, because Reeve made...

Author: By Cyrus M. Sanai, | Title: Call Off the Celluloid | 11/26/1984 | See Source »

...sketches are disappointingly inadequate. They simply lack punch. One exception is Gilly's meeting with a lonely gay salesman on the ferry to Fire Island, where Garbo has a home. As they wander along the beach at dusk, he describes his lonely personal life. Finally, the mute lighting is perfect, providing a discrete backdrop for this sensitive scene. The scene aptly demonstrates Lumet's talent for a more serious genre, and reinstates his heavy handed attempt at comedy...

Author: By Rachel H. Inker, | Title: Garbo's Not Enough | 11/21/1984 | See Source »

Technique intrigued him deeply. To many, plywood seems a contemptible crossbreed, neither natural nor synthetic, but to Aalto it was a perfect hybrid of ancient material and industrial technology. Breuer eventually returned to plywood; after the war, Charles Eames pressed it into subtle topographies that had been beyond Aalto's means. But no one ever paid the material more respect than Aalto. He built up plywood layers one by one, twisted and glued them meticulously, experimented. He coaxed plywood first into a simple L-leg (1932) to make his wonderful three-legged stacking stool, then split the L into...

Author: /time Magazine | Title: Design: Still Fresh after 50 Years | 11/19/1984 | See Source »

...Creek Park, for instance, the National Park Service had a Dixieland band and a blue-grass group come out and celebrate the fall foliage. The moment spring begins, you may be sure, Washingtonians will turn emphatic about the glorious forsythia, the jonquils and daffodils and, of course, all the perfect cherry blossoms. They go on and on about the dogwoods, the fields of hyacinths and azaleas, the quarter-million tulips planted near the Tidal Basin. Special pilgrimages are urged on visitors: not just the National Arboretum-precious camellias! amazing bonsai!-but the wonders of Dumbarton Oaks and the little garden...

Author: /time Magazine | Title: Living: A Permanent Oval Office Occupant | 11/19/1984 | See Source »

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