Word: perfido
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Dates: during 1990-1999
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Following the overture, in her Boston debut, the soprano Christine Brewer sang Beethoven's concert aria Ah! Perfido. Brewer navigated the recitative, an abandoned woman's diatribe against her lover, with confidence and ease. The first slow half of the subsequent aria showcased her delicate control and artistry in the upper register. The second half, speckled with piercing cries directed against the faithless lover, called for a quicker, more agitated approach, which Brewer delivered well. The aria closed on a satisfying note with the reprise of the first theme. Throughout the piece, the intimate quality of the period orchestra proved...