Word: performativity
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James C. Fuller ’10, one of the students dancing in the medley, says he is grateful for the chance to perform these rarely-staged Ailey pieces...
...concert’s program are works by two members of the Harvard Dance Program’s own faculty. Harvard Dance Director Elizabeth W. Bergmann has re-staged her quartet “They Say We Travel the Same Road” for student dancers to perform in the upcoming production. Bergmann, a Julliard graduate who initiated the Viewpointe series ten years ago, said of the all-women ensemble: “[The piece] is about the idea that in life, while we may sometimes fight with the people around us, we ultimately support each other because...
...responded to some of the allegations in a YouTube video, many questions remain unanswered. Responding to the controversy surrounding Jean, Harvard Foundation Director S. Allen Counter said in an emailed statement, "Wyclef Jean was honored in December 2009, by the Nobel Concert Committee when he was asked to perform at the Nobel Peace Prize Concert inn Oslo. Two months later, on February 26, 2010, Jean was honored by the venerable NAACP for his humanitarian efforts over the years in his native Haiti... He accepted our invitation and visited Harvard College on February 27, 2010 as the 2010 Cultural Rhythms Artist...
...layers of self-reference and interpretation. It consists of a Prologue and an Opera, the first framing the second. In the Prologue, a prodigiously young Composer (mezzo-soprano Edyta Kulczak) is about to see his first opera, the very serious “Ariadne auf Naxos,” performed at the court of a Viennese nobleman. However, at the nobleman’s behest, the order is given for the new opera to be combined with a troop of harlequins also slated to perform that evening. The second act, the Opera proper, presents the resulting blend...
...might think that it would be intimidating to perform a jumping routine alongside a world-caliber competitor...