Word: peripateia
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Dates: during 1961-1961
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...with other modern composers, formlessness is Maxfield's most glaring flaw. In order to integrate chance into form, Maxfield cuts his tape into short segments which he then fits together without plan. In Peripateia either these segments were too short or the original tape had no contrasts. I felt that the piece was static and monotonous because it lacked 'events'--that is, a sequences of random happenings that would give a sense of succession of ideas or moods. At its worst, Maxfield's music has an over-blown, almost Mahlerian grandiloquence...
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