Search Details

Word: perishings (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...death! Shake the bells, set up altars, light candles, spray holy water, gnash your teeth, cry with bloody tears, chew ashes, devour each other, kiss each other, go to the left, go to the right, go up, go down, burn incense. The old world is going to perish. Hiue...

Author: /time Magazine | Title: Playwrights: Smoke, Froth, Snort! | 10/5/1962 | See Source »

...injurious to the hater as it is to the hated. It distorts the personality and scars the soul. Psychiatrists are telling us now that many of the inner conflicts and strange things that happen in the subconscious are rooted in hate. So they are now saying, "Love or perish." This is the beauty of nonviolence. It says you can struggle without hating; you can fight war without violence...

Author: /time Magazine | Title: Nation: Martin Luther King's Challenge | 8/3/1962 | See Source »

...dripper. The people Brook resents are those faddists who promote abstract art and will enthuse about nothing else. He also has an oldster's dismissing attitude toward those younger artists who, he says, display their contempt for discipline and craftsmanship by deliberately using materials that are doomed to perish...

Author: /time Magazine | Title: Art: That First Quick Look | 8/3/1962 | See Source »

...Unite or Perish. Britain's passage to Europe began in earnest on a grey October day in Paris last year. Behind the closed doors of a high-ceilinged conference room in the Quai d'Orsay, Britain's Lord Privy Seal, Edward Richard George Heath, formally notified ministers of the six Common Market nations that his government had reached "a great decision, a turning point in our history." In a deep, resonant voice, Heath declared: "We desire to become full, wholehearted and active members of the European Community in its widest sense, and to go forward with...

Author: /time Magazine | Title: Common Market: Crossing the Channel | 7/13/1962 | See Source »

...high-strung horse skitters, rears and neighs in the kind of wild-eyed terror and anguish that Picasso gives to the horse in Guernica. The symbolic question is clear: Is the untamed free spirit an outlaw that must learn to toe the white lines of the modern world or perish...

Author: /time Magazine | Title: Cinema: The New Westerns | 7/13/1962 | See Source »

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