Word: perlman
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Dates: during 2000-2009
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...weeks ago, Adam R. Perlman ’04 mentioned Donkey Love, a one-act he just finished writing, to his blockmate Ben D. Margo ’04. The two didn’t waste any time moving from script to stage. Tomorrow night in the Adams Kronauer Space, Perlman’s show will open with Margo’s one-act, Kiddie Pool, in a performance the two are billing as “We Don’t Mind Sucking on Toes.” “We thought that was funny...
...super hero comic book rock star by night, a victim of the world by day,” she says. Brent’s best friend, an inventor named Ty (Jay Chaffin ’06), first appears on stage recounting a religious experience on the toilet. Perlman, who is also a Crimson editor, describes Ty as a “cutting edge QVC media mogul, always inventing another crowd-pleasing novelty item.” His invention du jour is the Oedipus 2000, which allows children with inferiority complexes to kill their fathers—in virtual reality...
...Moshe Y. Spinowitz, ’02 teaching Hebrew school together during freshman year became more than a way to reach out to the Jewish community. They began dating at the beginning of sophomore year when Spinowitz surprised Day with tickets to hear Itzhak Perlman and the Boston Symphony play Tchaikovksy’s Violin Concerto...
None of the imagined interactions sink to the level of absurdity that often comes with such anachronism, and the characters remain entirely believable throughout. Perlman made a shrewd decision in casting Samuel H. Perwin ’04 in two roles. As the Balladeer, he sings simplistic folk-style description and commentary on the first three completed assassinations. After the Balladeer is driven from the stage by a horde of bitter assassins, Perwin reappears in the final scenes as Lee Harvey Oswald...
Directed by Adam R. Perlman...