Word: peronism
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Dates: during 1980-1989
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NONFICTION: Fatal Flowers, Rosemary Daniell ∙ Maybe, Lillian Hellman Philosophy and Public Policy, Sidney Hook ∙ The Last Nomad, Wilfred Thesiger ∙ The Return of Eva Peron, V.S. Naipaul ∙ Thirty Seconds, Michael J. Arlen ∙ Wilderness of Mirrors, David C. Martin
...NAIPAUL's is an immensely articulate voice of concern, sensitive to the dilemmas of developing countries but not sympathetic to what he finds there. The Return of Eva Peron is a short collection of essays that chronicle Naipaul's visits to Argentina, Trinidad and Zaire in 1972-75, and his distress at the lack of respect these nations pay their history. He travels through African bushlands and interviews Argentine intellectuals in his obsessive search for a historical account that suits...
...central essay, "The Return of Eva Peron," he speaks to terrorists, to businessmen and government officials to find an acceptable history. But even Jorge Luis Borges, Argentina's man of letters, fails him. Borges' writing is a series of intellectual games that strip away, rather than analyze, the meaning of words. "There is no history in Argentina," Naipaul concludes. "There are no archives; there are only graffiti, polemics and school lessons." He goes on to find history "less an attempt to record and understand than a habit of reordering inconvenient facts; it is a process of forgetting." Naipaul understands that...
...finds, and his fiction is the subject of the fourth essay, "Conrad's Darkness." He offers Naipaul solidity: well-considered ideas that have been tested, conclusions which Naipaul can trace to their roots. His writing is a welcome change from the rhetorical fantasies of Generals Mobutu of Zaire and Peron of Argentina. "Nothing is rigged in Conrad. He doesn't remake countries. He chose, as we now know, incidents from real life; and he meditated on them...