Word: peronizing
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...People vs. Larry Flynt skips over such details, although it is probably no more untruthful than most Hollywood biopics (to give but one example: in real life Eva Peron actually spoke most of her lines). "Dramatizing Larry Flynt was walking a tightrope--include too many contemptible events, and the audience turns off," concede the film's screenwriters, Scott Alexander and Larry Karaszewski, in an introduction to the published version of their script. Its climax revolves around the libel suit filed against Flynt by the Rev. Jerry Falwell, which led to the famous 1988 Supreme Court decision saying...
...brisk afternoon in late April, and the Evita crew has set up shop outside a small white church in a suburb of Budapest. They are filming the wedding of Eva and Juan Peron, and 100 or so onlookers from the neighborhood are watching Jonathan Pryce and Madonna, as the Argentine general and his bride, emerge from the front door, wave and get showered with rice--then repeat the sequence half a dozen times. One person in the crowd is not watching the actors: a tall, well-muscled man, standing with his arms folded, named Bob Izzard. Each time the cameras...
...Evita It might have been an Oliver Stone political screed or a Ken Russell hallucinogen; the lead actress might have been Meryl Streep or Michelle Pfeiffer. But here it is--20 years after Tim Rice and Andrew Lloyd Webber first produced their gorgeously cynical opera about Eva Peron--reimagined through the eye of director Alan Parker and the flesh of Madonna. The take is dense and studious, an aptly conservative adaptation of a pop classic; it lets the score seduce and the star shine. Madonna, who is up to the vocal demands of the role, makes Eva--sexual predator, social...
Well, maybe they were what two famous women desired. Maria Eva Ibarguren Duarte de Peron kept her eye on the spotlight, her hand tightening around the cojones of power. And Madonna fought like hell for the right to incarnate, in one of the era's most vivid musical dramas, a woman whose career and notoriety mirror her own: model for steamy photos, singer on the radio, movie actress of disputed pedigree, sexual adventurer. In both these stars one can see the great goad of ambition, the ability to enthrall and outrage. So there's tabloid poetry in the fact that...
...teenager in 1936 Eva makes her first conquest, the troubadour Agustin Magaldi (Jimmy Nail), whom she accompanies to Buenos Aires, a glittering Hollywood of hope for Eva. Her gift for attracting men of position leads her to Juan Peron (Jonathan Pryce), a junta colonel who becomes Argentina's President in 1946. Eva's glamour--less a natural attribute than a triumph of her will--and her urge to help the poor humanize Peron's stolid majesty; they also come close to bankrupting the country, even as they drain her. She fulfills the rock-age hagiography: live big, die young...