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...clearly bad luck). She seemed a little distracted, but I decided to ignore it. We made it around the block, and Crazy Hair told me to try my hand at parallel parking. I decided it wasn’t my finest work—seeing as my car was perpendicular to the curb. She didn’t seem to agree.She leaned over to congratulate me, and I caught the faintest hint of cheap Pinot Grigio on her breath. My assessment of her sobriety was quickly confirmed as she took a dive out the passenger side of the car, landing...

Author: By Alyssa N. Wolff, CRIMSON STAFF WRITER | Title: Driving Miss Crazy | 3/19/2008 | See Source »

Krieger said he was inspired by an old photograph of the waterfront that showed perpendicular pathways connecting the popular tourist destination to the water...

Author: By Lingbo Li, CRIMSON STAFF WRITER | Title: Design Prof Wins China Contract | 2/5/2008 | See Source »

...promised Wilson and the museum's trustees that "the new will be as new as can be, but the old will be preserved." If anything, he amplified the classicism of the space behind the old building by positioning the longest and most conventionally rectangular of his lenses at a perpendicular to the museum's rear façade. That created a square courtyard with a serene reflecting pool where the parking lot used...

Author: /time Magazine | Title: Light at the Museum | 5/31/2007 | See Source »

...most dangerous competitions at the Winter Games, with speeds of more than 80 m.p.h. (130 km/h). Skiers take one run down a single course marked by a few control gates, and the fastest time wins. Racers may take practice runs ? All control gates are open (perpendicular to the run) to mark the course SUPER-G 2,130 ft. (650 m) Shorter than the downhill but longer than the giant slalom, the super giant slalom combines speed with technical turns. Racers carve fast turns over a single course with at least 35 directional changes, at speeds of more than...

Author: /time Magazine | Title: Rebel on the Edge | 1/15/2006 | See Source »

...help shape the empire's future. To watch the original documentary (which accompanied 28 Up in its New York City premiere) is to be charmed into suspending awareness of the depressing trajectory of British life since then. The succeeding films follow that arc; they might be called 14 Perpendicular, 21 Tilt and 28 Down. Taken individually, the interviews have their flashes of cheer and wit. But in sum they suggest accommodation to life's dreary compromises at an age when one might hope for a lingering anarchic impudence. The 28-ers do not strut or rage or tease; they seem...

Author: /time Magazine | Title: Cinema: Growing Up, Old and Fat | 6/21/2005 | See Source »

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