Word: persia
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...kings are apt to depend on the available talent. All the last Shah of Iran could rake up by way of a court artist was Andy Warhol. Four hundred years before, his predecessors were more fortunate. The first three-quarters of the 16th century in the courts of Persia formed one of the supreme periods in the history of art: a Middle Eastern equivalent, perhaps, of Florence between 1450 and 1500, or 16th century Venice, or Paris between 1880 and 1930. It was mainly in Tabriz, the capital of the Safavid dynasty, under the patronage of a succession of highly...
Iran embodies both the essence of the Islamic complaint against the West and unique historical grievances of its own. By race (Aryan), language (Persian), religion (Shi'ite Muslim) and historical tradition (ancient Persia was conquered by Muslims in the 8th century), Iran is different from the rest of Middle Eastern Islam. It was never colonized, in the usual sense of the word, by the West. And yet the penetration of Western ideas was deeper in Iran than in some other parts of the Middle East and came to be seen in a considerably more sinister light...
...noncommissioned officer in the Persian army, rose to colonel, and in 1921 led a military revolt that finally ousted the last Shah of the Qajar dynasty in 1925. Even before he had seized the bejeweled Peacock Throne- for himself, he chose Pahlavi, one of the ancient languages of Persia, as his dynastic name...
...Differing legends say that the original jewel-encrusted throne was lowered from heaven or made by a hired jeweler from Germany. At any rate it stood in the Great Mogul Palace in Delhi, India, and was brought to Persia by a conquering Shah in the 18th century. The throne on which Mohammed Reza Pahlavi sat is a copy made during the reign of Path Ali Shah (1798-1834) and named after one of his favorites, Tavous Khanoum, or Lady Peacock. * In 1939 the Shah married Princess Fawzia, a sister of Egypt's King Farouk, who had been chosen...
...pages; $85) gives these weavings their proper due. It should be welcomed by both collectors and decorators, the former because the author has provided clear and much needed scholarship on origins and techniques, the latter because of the rare and glorious examples of kilims from Anatolia, the Caucasus and Persia that are reproduced in the book's spectacular color photos...