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Word: persona (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

Director Adam Fratto makes the most of The Foreigner's farcical elements. Most of the play's humor comes either from the situation, as Charlie relishes his new persona more and more, or from Shue's witty dialogue. Catherine, feeling guilty because she thinks she is less upright than her fiance, complains, "Some people are just meant to be a waste of food, and I think I'm one of them...

Author: By Gary L. Susman, | Title: Shue Business | 12/4/1987 | See Source »

...novel experiments with modes of narration. Vilmure borrows Faulkner's method of narrating through more than one persona, as each brother tells part of the story. The younger brother's narration is skillfully executed, as he relates what a child sees. Vilmure follows the boy's mind processes perceptively and eloquently...

Author: By Julie L. Belcove, | Title: Blood Brothers | 11/17/1987 | See Source »

...like Will Rogers. As he returns to Russell, Kans., this week to make his formal announcement, Dole once again will be tugging at his hometown roots. Arguing that all the Republican candidates are pretty much alike on matters of policy, Dole is running mainly on his newly minted persona -- softer, less biting. The risk of such a strategy is that he will become known as the candidate with the split personality...

Author: /time Magazine | Title: Dole Buries His Hatchet | 11/16/1987 | See Source »

Reagan gave them one version and, doing that, restored much of the nation's battered morale. "Actually, he was the Great Interpreter," says Ralph Whitehead, a public service professor at the University of Massachusetts. "People used his public persona, his resolve, his upbeat spirit, his patriotic vitality as a tool to help them make better sense of their own experience. Now Reagan's framework seems simplistic and out of date...

Author: /time Magazine | Title: The Crash: Who's in Charge? | 11/9/1987 | See Source »

COMPLACENT, insulting lines like this abound in the script, making it difficult for us to appreciate Schroeder's solid direction of a highly competent cast. Rourke has genuine negative charisma in this film, in contrast to his vapid, one dimensional sex magnet persona in 9 1/2 Weeks. Here he's a sex symbol straight out of the Cuisinart, with his bloodstained tee shirts and battered face, and he remains likeable through the corniest moments. For all his apocalyptic late night poetry scribbling and implausible literary references, we can understand why Wanda and Tully fall in love with him, and even...

Author: By Richard Murphy, | Title: Bummed Out | 11/6/1987 | See Source »

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