Word: personal
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Dates: during 1870-1879
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...this theatre, Miss Agnes Ethel has been acting in M. Sardou's drama of her own name, to large and appreciative audiences. Of the play little need be said. The plot is decidedly old, but none the less interesting. The impersonation of Agnes demands the beauty and grace of person, the purity and loftiness of bearing, which Miss Ethel so easily gives to it. Although unequal to the passages of tragic emotion, these are so few that the lady's weakness in those parts leaves but little impression on the mind. Her greatest success is achieved in the first scene...
...performed by an actress of great ability, and thus we lack anything with which to compare Miss Neilson's impersonation; but, judging it by itself, we think that it proves the lady to possess, not great genius, surely, but the highest talent. This, combined with her undeniable beauty of person, renders us loath to criticise. Her comedy in the first three acts was brilliant, but not wonderful; her tragedy in the last two acts simply magnificent. In this portion of the play her principal fault - a declamatory utterance - was lost in the storm of her passion...
...felt that some one entered. I thought it was Jones come back with more of his foolish, indefinite speeches, and was preparing to read him a short lecture on the besetting sin of intemperance, with pointed allusions, and then treat him to the other boot, when the person came full into the firelight, and seated himself quietly opposite...