Word: personally
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Dates: during 1960-1969
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...James Fitzgerald's decision to vote against Good. "I have the deciding vote here," Fitzgerald, a crusty veteran of 20 years in School Committee politics, said with obvious relish at the October 17 meeting. Then he twisted the knife by referring to "a confidence and trust in that person that may have been misplaced...
...penthouse at Manhattan's Chelsea Hotel with his wife and three-year-old daughter, and is already hard at work on an American series, including a collage portrait of Folk-Rock Singer Bob Dylan. Says Whiteley: "Dylan is the outsider. He's the most on person in America." What turns Whiteley on mainly is New York itself, a city that he feels is "like a living sculpture." To capture his first impressions he has nearly completed a "celebration to New York, a whoop-it-up scene" that shows a model consisting entirely of legs, breasts and lips emerging...
...themselves; any one of them might have got off to summon help before the thugs thought to block the doors, or at least yanked the emergency cord. Nobody does, because the paralysis of fear has linked them all. The eventual resolution is placed in the hands of the one person least caught up in the life of the jungle of cities-the crippled Oklahoma soldier (Beau Bridges). The Incident thus plausibly proposes the desiccating, depersonalizing pressure of urban life itself as the probable villain. And Director Larry Peerce moves far beyond his 1964 One Potato, Two Potato in welding...
...program this summer, working on the staff of Technological Aids to Creative Thought (TACT). He can only map the circle a dozen different ways at present, but he said that within a few months he expects to be able to distort the circle to any algebraic map that a person could write out in his own handwriting on the computer tablet...
...comes through in conversation even to those who have doubts about his ideals and style. He is an easy man to like, even for academics. He has important things on his mind. To put a cap on a conversation, he said, "One part of me is a very scholarly person--I like to read long monographs on Keats's prosody--but the other part is someone who has never seen a poem before. When I really want to enter the deep part of writing, it's as though I had never read anything before. I want to write each poem...