Word: personation
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...wreaked havoc as members of The Spaceshits, until the band was blacklisted by most venues in Montreal. They aren’t exactly upright people. So “Invisible Girl” isn’t the kind of album that is going to make you a better person through its “art.” However, by combining the simple rock ’n’ roll sounds from by-gone days when it was still cool to be happy, and the shit-all attitude of punk, with lyrics often explicit enough to make...
...high school junior, Laura E. D’Asaro ’13 broke the world record for being the fastest person to crawl a mile. In doing so, she raised over $5,000 for the American Cancer Society during a Relay for Life fund raiser. One-and-a-half years after that momentous June day, D’Asaro—an unconditional optimist who seeks inspiration in unusual non-profit ventures—continues to explore the philanthropic potential in breaking world records. Her latest project is starting a club at Harvard that will work to raise money...
David Brooks recently penned a column about how cell phones have destroyed the roadblocks that courtship used to impose. Constantly texting a whole universe of potential partners, he complains, forces you to maintain an ironic distance from any given person. But the thing about irony is that it has a time limit. Years ago, I started ironically using the phrase “totes” as a form of assent. Now I hurl “totes” everywhere, even at people who ask me if I want whipped cream on my lattes. “I didn?...
However cynical and even “ironically detached” our generation has become, we still cling to the notion that somewhere out there, maybe lurking in the dark behind some building, is the right person for everyone. But how do you find this person? As David Brooks and the FMLers might argue, the system we have going doesn’t seem to be doing an optimal job, and it’s certainly running up our texting bills. Out of this frustration emerges the hook up culture, where that old saying about cows and milk has been...
...show is that you’re introduced to this person, Anne, and you’re not absolutely certain of who she is,” says director Matthew C. Stone ’11, who is also a Crimson arts comper. “As the play goes on it attaches many different attributes to her, and by the end of it you see this identity that you started out with that’s been completely dissolved...