Word: pertness
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Dates: during 1960-1969
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...Lemmon, reading his lines at a steady 130 decibels, is the spoof villain. As black-clad Professor Fate, equipped with a stovepipe hat, a moustache to twirl and gnomish assistant (Peter Falk), he is forever launching devilish devices against Leslie and forever being Foiled Again. Natalie Wood is a pert, cigar-puffing suffragette who goes along as girl reporter on the great automobile race from New York tp Paris, via Siberia...
...NATO general, and grabbing a payroll of about ?1,000,000. Mastermind of the scheme is a bespectacled genius (Anton Rodgers) who operates a crime school fronting as a nature clinic where dotty old ladies imbibe mineral water laced with gin. Rodgers' girl friend (Charlotte Rampling) is a pert socialite making her criminal debut as the temptress assigned to dazzle a lieutenant of the armed guards, though much of her wickedness is spent in murdering the Queen's English with such nauseous effusions as "how rave-making" or "supremo!" All of Rotten's cast labors mightily...
...actress to play Scarlett O'Hara still in full cry.* While the old sets on Selznick's 40-acre lot in Culver City, Calif., were being fired and thus providing the climactic scene of the burning of Atlanta, Myron emerged through the smoke with a pert English brunette in tow. "I want you to meet Scarlett O'Hara," Myron announced dramatically. David Selznick agreed, signed up Vivien Leigh to play Scarlett...
...Change Things." Before that, Simon had met a pert, Wellesley-trained social worker named Lucille Ellis at a Thanksgiving party, married her after a three-month courtship. "We danced a lot," says Lucille Simon of the courtship. "While he isn't that winning a dancer, his dialogue is great." For a honeymoon, Simon took his bride on a cruise through the Panama Canal, then went on a week's tour of East Coast steel mills to learn about the tin making that affected his tomato canning. One stop: at Wheeling Steel in West Virginia, where Simon informed Lucille: "Some...
Producer-Director Richard Quine and his scenarists shape the story as an obtuse triangle inclined toward a pert reformed prostitute (Stella Stevens), just the sort of girl to make two able-bodied ex-convicts (Chuck Connors and Alex Cord) change their habits. The dialogue is more square than daring...