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...more educated the patron, the more difficult life could get for the artist. Alfonso's elder sister Isabella, the Marquesa of Mantua, was always cooking up complicated literary programs for potential paintings with the help of her court poet; she would then pass the ideas on to Perugino, one of her court artists, with instructions not to invent anything of his own. Something of this kind may have happened at Alfonso's court, whose star poet was none other than Ludovico Ariosto, author of the enormously successful epic Orlando Furioso. Dosso did some paintings that were illustrations of episodes from...

Author: /time Magazine | Title: Art: Puzzles of A Courtier | 2/1/1999 | See Source »

...case, the vast stores of Renaissance paintings in this city, defy casual study. The Uffizi Gallery contains one of Italy's largest collections of 14th and 15th century works--Botticini, Perugino Girlandaio, Albartonelli, Lippi, Uccello, and Roselli. No one hurries in the Uffizi, and some stand before a single painting, such as Botticelli's Pallade a il Centauro, for hours. Pallade, golden-haired and crowned with ivy, holds a centaur by the hair. She looks at his face with vivid sorrow; he hangs his head dolefully, mourning his entrapment with the lovely, longing adolescent...

Author: By Sarah L. Mcvity, | Title: A Portrait of the Art Student | 3/17/1981 | See Source »

...case, the vast stores of Renaissance paintings in this city, defy casual study. The Uffizi Gallery contains one of Italy's largest collections of 14th and 15th century works--Botticini, Perugino Girlandaio, Albartonelli, Lippi, Uccello, and Roselli. No one hurries in the Uffizi, and some stand before a single painting, such as Botticelli's Pallade a il Centauro, for hours. Pallade, golden-haired and crowned with ivy, holds a centaur by the hair. She looks at his face with vivid sorrow; he hangs his head dolefully, mourning his entrapment with the lovely, longing adolescent...

Author: By Jacob M. Schlesinger, | Title: Save Money; Take the Bus | 3/17/1981 | See Source »

...paintings are undeniably full of rules, conventions and accepted signs taken over from other art forms. The shorthand of child drawing-the wavy contours and schematic figures, the jammed and frontally flattened space-is as important to a Dubuffet like Boulevard Bonne-Nouvelle as perspective space is in a Perugino. Dubuffet used these techniques deliberately to discover how ludicrous, violent or absurd an image a given set of conventions could carry within the context of modern painting. His drawing is stylish to the point of mannerism. Indeed his pictures depend on that context more than his admirers will allow. Madmen...

Author: /time Magazine | Title: Art: Dubuffet: Realism As Absurdity | 4/30/1973 | See Source »

...Madonna and Child, which British Critic Roger Fry said was "one of Crivelli's greatest designs," brought $220,000; in 1886 it had been sold at Christie's in London for ?131.5. Pittsburgh's Carnegie Institute of Fine Arts paid $125,000 for Perugino's St. Augustine with Members of the Confraternity of Perugia, which was sadly below the house estimate of $200,000. The institute also bought Frans Hals's Man with a Herring for $145,000, more than three times as much as the Ericksons paid for it in 1925. Wildenstein...

Author: /time Magazine | Title: Art: THE ERICKSON TREASURES | 11/24/1961 | See Source »

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